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Mythology

The study of mythology is the interpretation of myths -- traditional stories that serve to unfold part of the world view of a people or explain a practice, belief, or natural phenomenon. Many people today understand the word "myth" to mean "untruth," but Wiccans understand myth as metaphor conveying insight and profound understanding -- not accurate in a literal sense, but containing deeper truths. As they did for our ancestors, these stories inform our understanding of the universe and our place in it.

We embrace multiple truths, drawing on the myths of various cultures around the world as our shared human heritage. Our stories connect us to each other, to the past, to the future. We tell stories to pass on hard-won knowledge and wisdom. We tell stories to share our experience, to guide our listeners along a familiar path so that they themselves can discover the way.

We interpret myth as a guide to understanding the Divine and its relation to the world, so for Wiccans mythology and theology -- the study of deity and its relationship to the universe and humankind -- go hand in hand.

The stories of any religious tradition form the essence of that religion, and storytelling is a time-honored technique for teaching spiritual wisdom. Jesus taught by telling stories, or "parables," as did the Buddha.

As Wiccans, mythology informs our rituals, our liturgy, and our understanding of the world. The images and concepts we see reflected in our myths tell us much about ourselves -- what we want, what we fear, what we love, how we relate to each other, what we need to survive. 

We are the stories we tell

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As the seasons turn once more, we will be adding myths for each of the Sabbats.  For stories for Lughnasa, click here

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ECRM grants blanket permission for liturgical use of these works with proper attribution. Any images or information listed on this site are the property of The Eclectic Coven of Red Mountain and are protected by copyright law. It is not only illegal to reproduce these without express permission by this coven, but also very rude!

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Stories for Yule

As the winter solstice approaches, we gather in the darkness of winter to celebrate the returning light.  It's a time to join together to meet the challenge of winter, and to reconnect with each other and the world around us.  The wheel turns, life goes on, and we are renewed with the reborn sun.

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Storyteller's Note:  Raven, creator spirit and shapechanging trickster, is prominent in the native lore of the Pacific Northwest region.  The story of how Raven steals the sun and brings light to the world exists among various peoples in similar versions.  Many of these are available online, including tales from the Tlingit (http://w1.859.telia.com/~u85903393/light.html) and Inuit (http://members.ozemail.com.au/~reed/global/alasklit.html).  For more information, see Eldrbarry's Raven Tales (http://www.seanet.com/~eldrbarry/rabb/rvn/rvn.htm).  

None of the versions I've read address the fate of the chief after Raven's theft.   I've found myself worrying about the old man, so I filled in the blank in my own way.

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Raven Steals the Sun
by Lycia

Long ago the people had no light and no day.  It was always night, and the night was cold.  The only light in the world was kept in a carved cedar box owned by a selfish old chief, and the box was shut as tight as the old man's cold heart.  The old chief horded the light and would let no one see it. 

Raven wanted his people to have light, and he hatched a plan.  He came upon the old chief's daughter as she drank water from a spring.  Becoming a spruce needle, Raven dropped into the maiden's outstretched hands.  She drank him in with the water, became pregnant, and soon gave birth to a beautiful child who was also Raven.

The child had only to smile at his grandfather, and the old chief's heart began to creak open.  When the child reached for food or toys to play with, the old chief gave him whatever he wanted.  Only the cedar chest remained out of the boy's reach, and the child Raven stretched his arms toward it and cried.  If his smile had cracked the ice of the old man's heart, the boy's tears melted it completely.  The old chief placed his most precious possession into the child's waiting arms.

Raven flung open the box, and the sun, the moon, and the stars lay before him.  He tossed the stars up through the smoke hole of the lodge, where they scattered in brilliant patterns across the dark sky.  Now all the people could share in their beauty.  Then he tossed the shifting silvery ball that was the moon into the night sky as well.  Finally, he took the beautiful ball of fire that was the sun into his raven's wings, and he flew up through the smoke hole to bring daylight to the world.

Now, we no longer have to live only in darkness, not even the old chief.  Every night, his beloved grandson, carrying his favorite ball, returns through the smoke hole to visit as the sun drops out of the sky. 

Now we all share in the light.
 

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Yule Invocations
by Lycia

Grey Cailleach, Winter Crone
Cold as ice and hard as bone
Within you the maid, the tender reed,
And the loving mother who nurtures the seed
Threefold Lady, come and take our hands,
As you pass through the shadowlands
With the strength of love and the beauty of night
Come now to grace this Yuletide rite
Blessed be the darkness that gives birth to the light

Two-fold God, the wheel is spinning
Shadow Lord, your night is ending
Shining One, your fire is burning
The light, once waning, is now returning
Summer's promise and winter's rage,
Oak King and Holly, infant and sage
With your ancient power and renewed might
Bring to us now your holy light
Blessed be the Sun reborn this night

 

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Stories for Imbolc/ Brigit's Day

 

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Storyteller's Note:  A Scottish story tells how the young Brigit (or Bride) is imprisoned in the icy fortress of the Cailleach through the cold winter until she escapes with the help of the Cailleach’s son, with whom she elopes.  In another version, the Cailleach herself drinks from a magic well on the first day of spring and is transformed into Brigit.  In either case, it is the return of Brigit that ushers in the promise of spring. The myth of the descent and return of the Goddess is central to the religion and experience of Wicca, so much so that Gardner called it simply “The Myth of the Goddess.”  Told and retold in many forms throughout history, the story is an ancient one -- already old when it was recorded in Sumeria (“The Descent of Inanna.” Wolkstein, Diane & Samuel Noah Kramer. Inanna Queen of Heaven and Earth: Her stories and hymns from Sumer. New York: Harper & Row, 1983.)   This is my latest version.

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Into the Circle
(The Descent of the Goddess)
by Lycia


The Queen of Heaven and Earth opened her ear and her mind to the Underworld below her.  From the Great Above she descended into the Great Below.  Through each of the seven gates she passed.

At the first gate she removed her horned crown.
At the second gate she removed her lapis necklace.
At the third gate she removed her sparkling stones.
At the fourth gate she removed her splendid breastplate.
At the fifth gate she removed her golden bracelet.
At the sixth gate she laid down her wand.
At the seventh gate she shed her royal robes.

She entered the abyss.  She knew darkness and fear.  She knew suffering, pain and death.  She died there in the darkness.  The God's compassion found her in the darkness.  Love reached out to her in the darkness.  Wisdom came into her in the darkness, and on the third day, she was reborn complete.  From the Great Below she ascended to the Great Above.  Through each of the seven gates she passed.

At the seventh gate she wrapped herself in royal robes.
At the sixth gate she took up her wand.
At the fifth gate she reclaimed her golden bracelet.
At the fourth gate she reclaimed her splendid breastplate.
At the third gate she reclaimed her sparkling stones.
At the second gate she reclaimed her lapis necklace.
At the first gate she reclaimed her horned crown.

And as she reclaimed her place in the heavens, she shone with a beauty so gentle and so strong it transformed all creation. 

The Great Goddess is the moon that waxes and wanes, the river of life, the circle of rebirth.  In her are the mysteries of living and dying.  Through her all things pass, and to her all returns.

 

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Stories for Ostara

Both "Easter" and "Ostara" derive from the name of the Teutonic moon-maiden goddess Eostre, whose symbols were the egg (representing fertility and new life in a natural sense and wholeness and creation in a cosmic sense) and the bunny (representing the exuberant fertility of nature in springtime).  In the lore of many Native American tribes, Rabbit (like Coyote and Raven) appears as a powerful figure with the cunning of a trickster and the powers of a god. 

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The Egg
by Lycia

Before the world we know was born,
Before the fire of the stars and the flow of the seas,
before the bones of the earth
and the breath of the sky,
before darkness,
before light,
before thought and form,
before male and female,
before life,
before death,
before time itself began,
there was the egg.

The egg was all, and all was one.
The egg hatched, exploding with endless force and continuing motion,
shattering into stars in the curved shell of space.
And the stars blazed into furnaces, into forges of reality,
birthing swirling planets and changeable moons.
And as our bright blue world swiftly spun
through the wild and lonely reaches of space,
the union of earth and sky conceived life in their love,
nurtured by the wisdom of the waters,
and enlived with the fires of the cosmos.

We are that life,
born of heaven and earth,
born of star-stuff and motion,
born of the endless egg,
still endlessly hatching,
still endlessly connected,
still endlessly becoming,
still all,
and still
one.

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Rabbit Boy
by Lycia


In the beginning times, when humans and animals still knew each others’ languages, Rabbit found a tiny blood-red ball.  Rabbit played with the ball, kicking and batting it about with his feet.  There is power in motion, and as Rabbit kicked and batted and spun that ball, it began to change. The ball grew arms and legs and a head and became a living human boy.  Rabbit took the boy home to his wife, and the couple raised Rabbit Boy as their son.

When Rabbit Boy had grown into a fine young man, Rabbit decided it was time to tell the boy he was adopted.  “Son,” he said, “I’m sorry to tell you that you’re not a rabbit like your mother and me.  You’re a human being.  And as much as we love you, it’s only right that you get to know other humans and take your place among them.”  So, with promises to stay in touch and to visit his mother often, Rabbit Boy set off into the world.

He soon found a human village.  The people were much impressed by the fine clothes Rabbit Boy’s mother had made for him, and even more impressed by Rabbit Boy’s friendly nature.  He was kind, giving, gentle and wise, and, like his father, he was full of playfulness and fun.  The girls remarked on his good looks and kind heart.  The young men remarked on his fine clothes and tools.  The elders remarked on the power and wisdom they saw in his eyes.  Soon, Rabbit Boy caught the eye of a beautiful maiden who was as kind-hearted as he, and the two planned to be married.

All seemed well, but people can be complicated creatures.  While many people loved Rabbit Boy for his wonderful qualities, Iktome, a wicked trickster, hated Rabbit Boy for the very same reasons that others loved him.  And many of the young men were jealous of Rabbit Boy as well, and a few of the villagers were suspicious of the newcomer.  Iktome began to speak against Rabbit Boy, saying, “Look at him showing off!  He thinks he’s better than us.”  He whispered to the other men, saying, “He’s not one of us – How can you let him marry a fair daughter of our tribe?”  He told the others Rabbit Boy’s power wasn’t so great.  “I have a magic hoop that can take away all his power,” Iktome said. 

Iktome persuaded them with his hatred and jealousy, and the people became a mob.  They caught Rabbit Boy in Iktome’s hoop.  Now, the hoop didn’t take Rabbit Boy’s power away.  His wisdom was too much a part of him for that.  But Rabbit Boy decided to play along just to see what would happen.  He knew his power was greater than the sun, which he had defeated in a vision, and that even if he was sent away he could return.  The men tied him up and, encouraged by Iktome, decided to cut Rabbit Boy up and make stew of him.  When they did, a great storm cloud covered the sun and the stew meat disappeared from the pot.

The people quickly regretted what they had done.  They called for Rabbit Boy to come back.  They promised to welcome him.  The clouds passed, the sun came out, and Rabbit Boy returned, whole and stronger than before.  Iktome, still jealous and hateful, said, “I’m better than Rabbit Boy.  My magic is stronger.  I’ll show you – tie me up too!  Cut me up into stew meat!  I’ll come back even stronger than he did!  So the people did as he demanded, and the wicked trickster outsmarted himself.

Rabbit Boy married the maiden, with the blessings of the whole village, and he and his wife gave his parents many, many grandchildren.

Iktome never did come back, but he wasn’t completely without merit.  He did make a passable stew.

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Source note:  This story, also known as "Blood Clot Man," is freely adapted from a White River Sioux tale.  See American Indian Myths and Legends.  New York: Pantheon Books, 1984.  Rabbit's battle with the sun is recounted in "Rabbit Fights the Sun" in the Midsummer section.

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Stories for Beltane

The Origin of Love
by Lycia (based on Aristophanes' definition of love)

Long, long ago,
when the world was young,
love did not yet exist.

Into this strange world,
strange creatures called humans
came into being.

But humans then did not look as humans do now.

When humans were first created
they had four arms and four legs and two heads, 
and they were very strong and very fast
and very purposeful --
so much so that the Gods were afraid they would take over.

So Zeus, looking down fearfully from Mount Olympus,
hurled down thunderbolts (Zeus' answer to everything)
and divided each creature in two,
leaving us as we are now.

But in some deep corner of our hearts,
we remember what we once were, and we long to be whole again.

It's this longing, born into each of us, that we call love --
that yearning to reconnect with the missing half of ourselves, 
our soulmate,
and become one again.

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Elk Medicine
by Lycia


The Sioux hunter had no elk medicine to make him lucky in the hunt and in love, but he was skilled with bow and arrow, and determined to try his best.  He stalked the elk all through the day, and he was so intent on following the trail that when night came he was far from home in an unfamiliar place. 

It was a moonless night and too dark to make his way, so he settled in next to a cool stream to pass the night.  Wrapped in his fur robe, he tried to sleep, listening to the noises of the forest around him: the cries of night animals, the hoots of owls, the wind in the trees.  Then he heard something else – a sound like nothing he had ever heard before.  It was a strange sound, a haunting and oddly beautiful moaning, warm and sweet, full of wanting and loneliness and hope. 

Listening to this strange song, the hunter fell asleep and dreamed of a redheaded woodpecker leading him to the source of the sound.  When he woke, it was daylight, and a redheaded woodpecker was sitting on the tree branch above him.  The bird flitted away to another tree, then turned to look back at the hunter.  The hunter followed, and the bird led him to a cedar tree.  Landing on a dead branch, the woodpecker pecked holes into the hollow tree limb, and as the wind rose, the hunter heard the wonderful sound he remembered from his dream.  He asked permission to take the branch, and with a bob of its head, the woodpecker agreed and flew away. 

The hunter waved the branch in the air.  He blew on it, but nothing he did could make the branch sing.  He wanted to learn this magic more than anything, so he purified himself in the sweat lodge and fasted for four days and nights alone on a hill top, all the while crying out for a vision.  On the fourth night, the redheaded woodpecker appeared to him and took the form of a man to demonstrate how to hollow out the branch with a bowstring drill, how to make the holes, how to carve the end to look like a bird’s head with an open beak.  And when the vision-man finished creating the flute, he raised the mouthpiece to his lips and showed the hunter how to make the flute sing.  The hunter carefully followed these teachings and carved his own flute, and when he had finished, he painted the bird’s head with the sacred color red in honor of the woodpecker. 

His thoughts now turned to the girl he loved, but had never dared to approach, feeling that he had nothing to offer her.  She was the proud daughter of a great chief, and the hunter was poor, but now he knew that he could offer her this music.  As he thought of the girl, he created a special song for her. 

He went to her family’s tipi, and leaning against a tree in the moonlight, he played the song, pouring into it all the longing of his heart.  When she heard this haunting and lovely sound, the girl could not stay away.  She knew the song was meant for her, and she knew the hunter was offering her the music of his heart.  They lay together that night, under one blanket, and soon were married.

The hunter taught the other young men the secrets of the flute magic, and the young women needed no teaching to understand the music that reached into their hearts.  And so the flute magic spread from tribe to tribe, down through all the generations, bringing young lovers together in the moonlight with its strange sweet song.
 

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Source note: This story is based on the traditional Brule Sioux legend of the siyotanka, the flute used only for courting songs.  The legend, as told by Henry Crow Dog in 1967, is available online at http://www.stroudflutes.com/history.html with audio files of the flute music.

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Stories for Midsummer

Rabbit Fights the Sun
by Lycia


In the early days of the world, the sun grew stronger with every passing day. At first the growing warmth was pleasant, but as the days passed and the sun grew ever more powerful, the heat became oppressive. The sun was out of balance with the world, drying up all the water and scorching the plants. The people suffered. The earth itself suffered, but the sun was too full of its own power to care. Rabbit decided that something must be done.

He took his bow and a quiver of arrows, and headed for the east. He made a shelter from cactus when the heat was unbearable, and traveled as quickly as he could when the sun went down in the west. Finally he came to the place where the sun rises, and he notched an arrow and waited as the ground around him boiled. Coming so close to the heat of the sun scorched Rabbit’s fur, so that even now rabbits have brown patches behind their ears and legs.

When the sun was halfway up, Rabbit let his arrow fly straight through the heart of the sun. Standing over the defeated sun, Rabbit declared: "The white part of your eye will be the clouds, and the black part of your eye will be the sky! Your kidneys will be stars, your liver the moon, and the heart of the sun will be the night!"

And so it was.

"And," said Rabbit, "You will never be too hot again!"

And it never was. 

And if the sun ever does get too hot, Rabbit has an arrow ready.

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Source note: This story is based on "Three-Legged Rabbit Fights the Sun," collected by Ella Clark from an unnamed western Rocky Mountain tribe. The story is available online at http://solar-center.stanford.edu/folklore/three-legged-rabbit.html and in American Indian Myths and Legends. New York: Pantheon Books, 1984. The White River Sioux tale of Rabbit Boy in the Ostara section also mentions Rabbit's defeat of the sun.

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Stories for Lughnasa

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Storyteller's Note:  Like many people from the American South, I'm a child of both Celtic and Cherokee ancestry.  And at this time of year, as we honor the Celtic Lugh for whom the festival of Lughnasa is named, I honor the Corn Mother of the New World as well.  I've based this story on the Cherokee legend of the origin of game and corn, while drawing also on Corn Mother stories from other peoples of the Southwest and East who revered corn as sacred food, particularly the stories of the Penobscot and the Abnaki. The Invocation to Mother Corn is inspired by an account of an Arikara Corn Ceremony. (See Voices of the Winds:  Native American Legends.  New York: Facts On File, 1989.)

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The Corn Woman's Blessings
by Lycia


Selu and her husband Kenati lived in the beginning times, soon after the world was made.  Kenati was a lucky hunter, who never failed to provide his family with game.  Selu was a woman of both compassion and beauty, crowned with pale hair the color of sunlight on water, long and thick and strong as silk.  Selu and Kenati had two sons named Good Boy and Wild Boy.  Wild Boy was forever getting his brother into mischief, but Selu, with a mother's wisdom, adored them both.

One day Wild Boy said to his brother, "Where does our father find so much game?  We should follow him and find out."  So when Kenati took his bow and left for the hunt, his sons followed.  First Kenati went to the swamp and gathered strong reeds.  The boys watched as their father trimmed the reeds into arrows and fitted them with feathers.  Then Kenati went to the mountains.  He rolled a great rock away from the tallest mountain, revealing the opening of a cave.  Out of the cave ran a deer, and Kenati rolled the rock back over the opening.  The boys watched as their father drew his bow and shot the deer with an arrow.  As Kenati lifted the deer on his back and started his journey home, the boys said "We can do that!" and made plans for the next day.

Like boys everywhere, Wild Boy and Good Boy wanted to be like their father, to do the things he did.  So the next day, their bellies filled with meat, they went to the swamp and made arrows.  Then they went to the mountains and, working together, rolled aside the great rock.  A deer ran out and the boys ran after it, but in their excitement they forgot to cover the opening of the cave.  While the boys chased after the deer, animals and birds poured out of the cave and scattered around the world.

Kenati, in his anger at discovering this mischief, went deeper into the cave and released the insects of the world to bite and sting the boys.  "You bad boys," he said, "have had it too easy.  When we needed food, we always had it.  Now you will have to search through the forest to hunt game and still not find enough."  And with that Kenati stormed away.

Soon the boys were hungry, and -- like boys everywhere -- they went to their mother to feed them.  "We have no more meat," Selu told them, "but I will provide for you.  Wait here and I will see what I can do."  Soon Selu returned with a basket of corn to feed her children.  She showed them how to grind the grain and bake bread.

One day Wild Boy said to his brother, "Where does our mother find so much corn?  We should follow her and find out."  So when Selu took her basket and went to the provision house, her sons followed.  No corn was left in the provision house, but Selu did not seem to mind.  As the boys watched, Selu placed her basket in the center of the room and danced around the basket in a circle seven times, letting her pale hair fly around her.  And as she danced, corn fell from her body into the basket.  When they saw this magic, Wild Boy said to his brother, "I don't think we can do that.  Our mother must be a witch."

Like mothers everywhere, Selu instinctively knew just what mischief her boys were up to.  When she returned from the provision house with her basket, she knew their curiosity had broken the spell, and she knew what she must do.  "I will die soon, and my spirit will go to the end of the world where the sun comes up," she told her boys, "but I will always provide for my children, for all my children." 

She told them how to prepare her body.  She told what they must do, how they should clear the land in front of their lodge, how they should draw her body around the circle seven times, how they should keep watch all night. And in the morning, she told them, her body would be gone but corn would grow all round them. 

"When I leave you, I will still be with you," she told them, "and when your path leads you to the end of the world beyond the setting sun, I will be there to welcome you."

The boys followed her instructions, more or less.  Clearing the ground was hard work and Wild Boy was easily distracted, so they only managed to clear the ground in seven spots.  This is why corn does not grow everywhere in the world. 

But Selu, with a mother's wisdom and endless love for her children, was true to her promise.  In the morning, stalks of corn grew all around the brothers, and in each stalk they found strands of Selu's pale hair, silks the color of sunlight on water.  We find these still today, when the corn ripens and we receive the harvest of the Corn Woman's blessings. 

And so we know that Selu is still with us, still providing for us, for all her children.
 

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Invocation to Mother Corn
by Lycia

In the time before time, 
When the world was young and our people were younger
Our Mother Corn journeyed here from the world beyond.

We called to Mother Corn and she heard us.
We called to Mother Corn and she heard us.
We called to Mother Corn and she heard us.

Mother Corn came to care for her children.
She came to be our friend and our helper.
She came to be our health and our strength.

Mother Corn walked with us from the faraway past.
She walks with us along our winding paths.
She walks with us toward tomorrow.

Mother Corn gave herself to feed our fathers and mothers.
She gives herself to strengthen our people.
She gives herself to our children and their children.

Mother Corn returns to us and we welcome her.
Mother Corn strengthens us and we honor her.
Mother Corn blesses us and we give thanks.

We call to Mother Corn and she hears us.
We call to Mother Corn and she hears us.
We call to Mother Corn and she hears us.

 

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Invocation to Lugh
by Lycia

In the long ago of the Old Ones, 
Lugh of the Long Hand came to the Danaans
The Shining One took the throne.

We called to Father Lugh and he heard us.
We called to Father Lugh and he heard us.
We called to Father Lugh and he heard us.

Lugh is the king born at midwinter
To grow with the power of the summer sun.
Lugh is the light that shines in the darkness.

Lugh is the king who battles his rival,
Lugh is the strength that flows in sunlight.
Lugh fights the night with the spear of the sun.

Lugh is the king who weds the Goddess.
Lugh is the light that caresses the earth.
Lugh is the king who marries the land.

Lugh is the one reaped in the harvest.
Lugh is the light that grows within us.
Lugh is the life-force in the grain.

We call to Father Lugh and he hears us.
We call to Father Lugh and he hears us.
We call to Father Lugh and he hears us.

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An excellent version of the Lugh myth can be found at http://members.aol.com/broomcoven/lugh.html

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Stories for Mabon


The name Mabon used for the autumn equinox derives from the Welsh Mabon ab Modron, the son of the Great Mother.  Like the Greek Persephone (whose story is also told at this time of year), Mabon is stolen away to the Otherworld and later returned.  As winter and summer are two sides of the same coin, descent (commemorated in the autumn) and return (celebrated in the spring) are two sides of the same story (see the Imbolc section of this page).  On a basic level, descent myths like these and the one told below speak of the yearly seasonal cycle of transformation and renewal celebrated in the wheel of the year.  But they also whisper of the mysteries of birth, death and rebirth at the heart of The Craft and sing of the transforming power of contact with the sacred source.
 

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Cerridwen's Wish
by Lycia

Cerridwen had a rather unpromising son named Afagddu and more promising plan. She wished for her son to have all the wisdom of the mysteries of the world, and she wanted to give this to him. It was an ambitious piece of spellwork, even for her, which required that just the right blend of magical herbs be kept boiling in her cauldron for a full year and a day. The brew itself would be poisonous, but the first three drops that sprang from the cauldron on the appointed day would contain all the divine inspiration Cerridwen wanted for her son.

So she went to work, and it was hard work mixing the potion and keeping that cauldron boiling. She hired an old blind man named Morda to tend the fire and a clever young boy named Gwion Bach to stir the brew. The year passed, the cauldron bubbled, and Cerridwen grew tired. She went to her room to rest -- just to close her eyes for a moment, she told herself -- and then fell fast asleep. 

And so, when the fateful drops sprang from the cauldron, it was little Gwion who caught them -- like snowflakes -- on his tongue. The cauldron was blown apart, and so was Gwion. Those drops transformed him, opened him, exploded him, expanded him. He could do anything. He understood everything. And at that moment he understood just how much trouble he was in.

He had stolen magic from Cerridwen and her baby boy, and he could feel her rage boiling over, hotter than the smoking cauldron that lay burst upon the floor and more venomous than the brew that leaked out of it.

Cerridwen was awake. She was pissed. And she was coming for him.

With a thought he was gone, racing across the moor in the shape of a hare. And Cerridwen was a hound chasing after him. Just as she pounced, Gwion dove into the river and swam away as a fish. And Cerridwen was an otter chasing after him. Just as the otter swiped at his tail, Gwion jumped into the air and flew away as a bird. And Cerridwen was a hawk chasing after him. Before the hawk could swoop down on him, Gwion dove into a pile of winnowed wheat and hid there – a kernel of grain among other kernels of grain.

Gwion felt very clever in his perfect disguise. And Cerridwen herself could not tell which kernel was Gwion, not even when she became a great black hen and gobbled up all the grain in her beak and swallowed. And that was the end of Gwion Bach.

But that's not the end of the story. In swallowing Gwion as grain, Cerridwen had taken him into her. She became pregnant with him, and in the fullness of time, gave birth to him. She was still angry with Gwion for his betrayal, but when she looked into the radiant face of the baby she had borne, she found herself unable to do him harm. Instead she cast the child on the waters of the river, wrapped warm and dry inside a leather bag, and left him to the direction of the current and the mercy of fate.

When he was caught in a net and delivered from the bag by a kindly fisherman named Elphin, the boy who had been Gwion proclaimed himself Taliesin, soon to be known as the greatest of bards, who had sipped inspiration from the cauldron of Cerridwen herself, who had been both dead and alive, born and reborn, swallowed by the Goddess, nurtured inside her, and given rebirth through her. 

He had become Cerridwen's son, gifted by her with all the wisdom of the mysteries of the world, fulfilling Cerridwen's wish in a way even the Mother had not foreseen.
 

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Source note:  Lady Charlotte Guest's translation of the old Welsh Tale of Taliesin is available online at http://www.cyberphile.co.uk/~taff/taffnet/mabinogion/fulltales/Taliesin.htm.

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Invocation to the Great Mother
by Lycia

In the time before time,
When the world was young and our people were younger,
The Great Mother journeyed from the world beyond.

We called to the Mother and she answered.
We called to the Mother and she answered.
We called to the Mother and she answered.

The Mother came to care for her children.
She came to be our friend and our helper.
She came to be our health and our strength.

The Mother walked with us from the faraway past.
She walks with us along our winding paths.
She walks with us toward tomorrow.

The Mother gave herself to feed our fathers and mothers.
She gives herself to strengthen our people.
She gives herself to our children and their children.

The Mother returns to us and we welcome her.
She strengthens us, and we honor her.
She blesses us, and we give thanks.

We invoke the Mother and she is here.
We invoke the Mother and she is here.
We invoke the Mother and she is here.

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Invocation to Mabon
by Lycia 

In the ancient days of the Cymru
Mabon the Hunter was born to the Mother.
The light-child was born to the world. 

She called to the Sun and he answered.
She called to the Sun and he answered.
She called to the Sun and he answered. 

Mabon is the Great Son of the Great Mother,
The child of light planted in shadow,
The Mother’s Son who was stolen away. 

Mabon is the lost one mourned by the Mother,
The lost light that fades in autumn,
The lost life of the barren earth. 

Mabon is the spark swallowed by darkness
To grow in the wisdom of the Mother’s womb.
Mabon is the seed that sleeps within.

Mabon is the promise in winter’s cold heart,
The promise of life in the growing dark.
Mabon is the son who will return.

We invoke the Son and he is here.
We invoke the Son and he is here.
We invoke the Son and he is here.

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Stories for Samhain

The Skeleton House
by Lycia

A young man often looked out over the graveyards of his people and wondered about the dead.  He wanted to know if they still existed somewhere, and what it might be like there.  He asked his father, who was the village chief, but his father could not answer his questions.  So the chief sent for Badger Old Man to help his son find the answers he needed. 

Badger Old Man came, bringing his wisdom and his medicine with him.  Following the old man’s instructions, the chief prepared his son for the journey just as his people have always prepared the dead.  They dressed the young man in a white kilt, blackened his chin with shale, and tied an eagle feather to his forehead.  Badger Old Man spread a white robe on the floor for the young man to lie on.  Then the old man gave the boy medicine to eat to send him on his journey.  “He will go far away,” Badger Old Man told the chief, placing more medicine in the boy’s ear and on his heart.  “But you will be able to call him back, and he will return to you.”

Finally, Badger Old Man wrapped the robe around the young man, and the journey began.  Leaving his body behind him, the young man found a road leading away to the west and followed it.  He met a woman along the way who asked him what he was doing.  He explained his quest to reach the land of the dead.  She told him that she was going to the same place, but that she had not followed the straight path in life, and her journey to the land of the dead – the skeleton house – would take a very long time.

The young man continued to follow the path.  He came eventually to the edge of a cliff.  “Why have you come here?” asked the chief who was sitting there.  The young man again explained his quest, and the chief pointed to the skeleton house, far below them at the bottom of the cliff, hidden from sight by a great cloud of smoke.  Then the chief spread the young man’s kilt out on the ground and asked him to sit on top of it.  He lifted the young man up and threw him over the edge of the bluff, and the kilt flew him safely and gently to the ground below.

As the young man continued on his way he met Skeleton Woman.  He asked her the source of the great cloud of smoke he had seen in the distance.  She told him that destruction lay at the end of that path and that he must not go that way, but that he should continue on the road he was traveling to reach the skeleton house.  Following her instructions and keeping to the path he soon reached his destination.

When he arrived, he saw children playing, and soon met other people.  “Who are you?” they asked.  He told them he was the son of the village chief from Shongopovi, and they directed him to the house of the Bear clan so that he could join his ancestors.  The ladder that led to the house was made of sunflower stems and could not hold the weight of a living man, so he could not reach the house. 

Instead the skeleton people brought him food to eat, and laughed when he put it in his mouth.  They explained that the dead eat only the aroma of the food, which is its soul.

When the young man had finished his meal, his hosts asked him why he had come.  He explained that he wanted to learn about their existence in the land of the dead.  He was able to see for himself what it was like.  The skeleton people told him that they missed the light of the land of the living, and that they lived poorly here in the skeleton house.  The young man reminded them that life could be hard in the living world, especially when the rains didn’t come, and when the crops failed.  The young man and the skeleton people discussed these problems, and agreed on a plan to help each other.

By this time, the young man could hear his parents wailing for him, and he went back the way he came.  The young man returned to his body, and Badger Old Man unwrapped the robe, washed away the shale and medicine, and discharmed him.  The young man’s family fed him and asked him what he had learned, and he told them all that he had experienced.

Then he shared with them the agreement he had made with the skeleton people – that the living should make prayer offerings to enrich the lives of the skeleton people, and that the skeleton people would send rains and good crops to the living. 

And that is how the living and the dead learned to work together for the benefit of all.

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Source note:  The above story is a retelling of a traditional Hopi tale.  See American Indian Myths and Legends. New York: Pantheon Books, 1984, or read it online at http://www.sacred-texts.com/nam/hopi/toth/toth_029.htm.

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SAMHAIN VISITOR
A Fiction or maybe a dream
By Karin H. Clarno-Fugatt

Sitting inside my house on October 31st listening to the wind and the rustle of the dead leaves outside, finally finished with all the preparations for our family dinner and the ritual that will happen at midnight. Our family comes together every year for the feast we share with those loved ones, which have passed on. But on this night there was a special guest who has never visited us before and we were both pleasantly surprised and shocked. For we had never had a visit with visuals before. We always felt the presence of dear friends and family members who were no longer with us, but this was special and somehow inspired us and especially me, for the rest of this year and the next. 

I had just had my first child in August the year before, a Leo baby. She was darling, but the one thing that saddened my heart was that her Grandfather would never meet our little one. She had dark hair like her grandfather and somehow had managed to get his dimples, which somehow seemed to skip both of his girl children. I had always wondered how he would feel about our religious views, but always felt that he would somehow understand and except them, maybe even share in our rituals if he had lived. 

As the guests started arriving, there was a chill in the air. Coven brothers and sisters, family and other friends who would only stay for the dinner commented on the chill that was not just outside, but inside as well. We started dinner a little later than planned, as we seem to live on pagan standard time. And as we ate my little one started giggling and tossing stuff in the direction of the empty place setting. We all just giggled with her and shared in her delight, though we could not see what she was seeing. As the meal was ending, there was a flare of light from the chair that she could not take her eyes off of that whole night.  We all sat back in shock. Even though we are mostly all witches here in this household to truly see something like this is still difficult to deal with even when it is Samhain. 

The light flared brighter as we sat in awe and wonder. I could not stop from wondering who this was and why show themselves now after having so many of these dinners year in and year out. The lights started to take on a form and it was definitely a man. A man with dark hair and has he became more visible, dimples in his smile. At that moment I realized it was my father, coming from the land of the dead to see his precious granddaughter and to let me know that he was proud of me and the life I had created for myself and family. With his smile the air in the dining room warmed and our little giggled even louder as the image of my father floated towards her. She was not afraid of this apparition that appeared and moved towards her. She lifted her arms in the way she does when she wants a hug from one of us as though she knew this man, never having met him. He turned from her to me and smiled. At that point I broke into both laughter and tears. This was a dream come true. And in the years to come would be the one memory in hard times that would keep me going. So remember on Samhain set a place for those who have gone before. They may just surprise you with a visit if you do.  Brightest Blessings and have a Happy Samhain. 
 

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Stolen Away (Tam Lin)
By Lycia


Her name was Janet -- "Fair Janet" she was called -- and she lived in her father's castle by Carterhaugh woods.  Janet, being Janet, did just as she pleased, and few people tried to tell her what to do.  But there was one thing all the ladies of the castle told her, and that was to never -- ever, under any circumstances -- go into the woods alone, because it was rumored that an elf-knight rode there who could steal away the hearts of fair ladies, and no maiden was safe from his charms. 

So Janet, being Janet, lost no time in getting there.

She dressed in her best green gown and roamed the woods, sadly, without incident, but she soon lost her disappointment in the beauty of the forest around her.  Just as she decided to go back to the castle, she found herself entering a small clearing ringed with oak trees.  At the center of the clearing bloomed a marvelous rose that seemed to be waiting just for her.

Now, Janet knew that when visiting another castle one should never take anything without at least asking permission, but she didn't realize that the same held true in the forest.  Oh, someone might have tried to tell her this, but Janet paid no attention to people telling her what not to do.  So when she saw the rose, she walked straight to it and plucked it from the bush.

At that moment a voice boomed out behind her: "How dare you pluck that rose without asking my leave!"

Janet turned -- after taking a moment to arrange the flower in her hair -- and that was when she saw the knight.  He was the most beautiful man she'd ever seen, with shining black hair and warm gray eyes.  She thought of the story of the elf-knight and half-expected him to fade into the mist, but he stood there -- as real and solid as she was -- with his eyes fixed on the rose in her hair and flashing silver in anger.

Janet thought how beautiful those eyes were, and then, being Janet, told him that she would pick any flower she liked, anywhere she liked, and she would never, ever, ask his leave for anything as long as she lived!  And the knight, whose name was Tam Lin, fell in love with her on the spot.  He burst into laughter, and his smile took Janet's breath away, and perhaps her heart as well.

They met in the clearing whenever Janet could slip away from the castle, which wasn't often enough.  When she was with Tam Lin, Janet felt her heart could burst with joy, and when they were apart she felt her heart could break from the pain.  She felt sick with the strain of it, and the ladies of the castle noticed that Janet grew pale and distracted.  They whispered that she had fallen under the spell of the elf-knight.  Janet heard them, and told them to mind their own bloody business, but part of her wondered, and part of her knew.

So she went directly to Tam Lin and asked him straight-out if he were mortal or faerie, and he told her that the answer was not as simple as the question.  He had been born as human as she, but one day the young knight rode the wrong way around a faerie mound and found himself spirited away to the otherworld, where he became a knight of the Faerie Queen's court and a favorite of the Queen herself.  He told her that Elf-land was a fair country, and he could happily stay there, but for two things.

The first, of course, was Janet.  The elf-knight's heart was still human, and he loved her with all of it.  The second thing was that he feared he had little time left in either world.  The Queen paid a tithe to the Netherworld every seven years, and this year Tam Lin feared he would be sacrificed as payment.

Janet was horrified.  At the thought of losing Tam Lin, the pain of her heart throbbed, and she knew it for what it was -- the pain of separation from the other half of her soul, as human and as magical as love itself.  And she knew her sickness for what it was as well.  She touched her hands to her stomach and smiled.

Janet insisted that there must be some way to free Tam Lin so that they could be together, but he said it was too dangerous.  She seized on this, knowing that if the path was dangerous, then at least the path existed.  She told him they must try, for themselves, and for the child she now felt growing inside her.  And Tam Lin told her there was a way, if she were very brave, and very sure.  And Janet, being Janet, was both.

The next night was All Hallow's Eve, when the walls between the worlds fade, and -- as everyone knows -- the faerie host rides out in procession.  And, as she and Tam Lin had planned, Janet was waiting for them at the crossroads.  She drew a protective circle around herself, and ducked out of sight to wait.  As the first company approached on coal-black horses, Janet had no eyes for the beauty of the procession.  She was watching only for her love.  The second company, mounted all on fine brown steeds, road by. And finally the third came into view, with Tam Lin leading on a milk-white steed.  As the third company approached, Janet sprang into action.  She leaped from her hiding place and caught the white horse's reins, then threw both arms around Tam Lin and pulled him willingly from the saddle, caught in the circle of her arms.  She had won him, but to keep him she would have to hold onto him, no matter what happened.

The faerie host cried out that Tam Lin had been stolen away, but the terrible cry of the Faerie Queen rang out above the others.  She railed that she would have rather changed Tam Lin's human heart to one of stone than to lose him to another, that she would have rather taken his eyes than to have him look on another woman with love, that she would have paid the tithe seven times over rather than part with him.  The cry rang in Janet's ears, but she knew she must hold on.  Before her eyes, Tam Lin was transformed into a bucking stag, but Janet knew her love -- she could still feel him in her arms -- and she held on.  He took other forms, a writhing snake, a red-hot iron bar, but Janet knew her love, and she held on.  Finally, the faerie magic was exhausted and Tam Lin reverted to his first form, that of a mortal man.  Janet threw her cloak around him and knew she had won.

The faerie host faded into the mist, the faerie queen's wail faded into the wind, and the silver light faded from Tam Lin's gray eyes.  But those eyes lit with a new fire when he met Janet's gaze.  He saw the question in her eyes, and he nodded, then he smiled at her as he had that first day in the forest.  Janet caught her breath, and, gently taking his hand in hers, she took her husband home.

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Source note:  The story of Tam Lin comes to us from the Scottish border lands where the ballad has been recorded in a number of versions.  For more information on the source material (than you would have thought possible), go to http://www.tam-lin.org/ .  The Tam Lin story is usually placed at All Hallows Eve, but has also been associated with May Eve, and is equally appropriate for Beltane storytelling.

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For Tam Lin
by Lycia

It was the cold fire of you that drew me
that sweet sad night music at the edges of sleep
calling me to your silver eyes

I tore your heart from her
wrapped myself 'round it 
like the folds of a cloak
we were the same
she and I 
you and I
such fierce love
binding

I held fast
I touched all the pieces of the puzzle of you
felt my strength in the stag
my heat in the fire
burning
reaching
as you did
for the light of another world
felt your skin against mine
silver and shivering in the night forest
the wild hunt raging 'round us 
and gone

All our long living days in safe walls
and still
the glow of that haunting touches you in the dark
your eyes, your night sounds,
the warm aching rhythm of breathing
restless 
against me

my arms wrap you
without waking
I hold fast

 

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