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Storyteller's Note:
Raven, creator spirit and shapechanging trickster, is prominent in the
native lore of the Pacific Northwest region. The story of how Raven
steals the sun and brings light to the world exists among various peoples
in similar versions. Many of these are available online, including
tales from the Tlingit (http://w1.859.telia.com/~u85903393/light.html)
and Inuit (http://members.ozemail.com.au/~reed/global/alasklit.html).
For more information, see Eldrbarry's Raven Tales (http://www.seanet.com/~eldrbarry/rabb/rvn/rvn.htm).
None of the versions I've
read address the fate of the chief after Raven's theft.
I've found myself worrying about the old man, so I filled in the blank in
my own way.

Raven Steals the
Sun
by Lycia
Long ago the people had
no light and no day. It was always night, and the night was
cold. The only light in the world was kept in a carved cedar box
owned by a selfish old chief, and the box was shut as tight as the old
man's cold heart. The old chief horded the light and would let no
one see it.
Raven wanted his people to have
light, and he hatched a plan. He came upon the old chief's daughter
as she drank water from a spring. Becoming a spruce needle, Raven
dropped into the maiden's outstretched hands. She drank him in with
the water, became pregnant, and soon gave birth to a beautiful child who
was also Raven.
The child had only to smile at
his grandfather, and the old chief's heart began to creak open. When
the child reached for food or toys to play with, the old chief gave him
whatever he wanted. Only the cedar chest remained out of the boy's
reach, and the child Raven stretched his arms toward it and cried.
If his smile had cracked the ice of the old man's heart, the boy's tears
melted it completely. The old chief placed his most precious
possession into the child's waiting arms.
Raven flung open the box, and
the sun, the moon, and the stars lay before him. He tossed the stars
up through the smoke hole of the lodge, where they scattered in brilliant
patterns across the dark sky. Now all the people could share in
their beauty. Then he tossed the shifting silvery ball that was the
moon into the night sky as well. Finally, he took the beautiful ball
of fire that was the sun into his raven's wings, and he flew up through
the smoke hole to bring daylight to the world.
Now, we no longer have to live
only in darkness, not even the old chief. Every night, his beloved
grandson, carrying his favorite ball, returns through the smoke hole to
visit as the sun drops out of the sky.
Now we all share in the
light.

Yule Invocations
by Lycia
Grey Cailleach, Winter
Crone Cold as ice and hard as
bone Within you the maid, the
tender reed,
And the loving mother
who nurtures the seed
Threefold
Lady, come and take our hands,
As
you pass through the shadowlands
With the strength of love and the beauty of night
Come now to grace this Yuletide rite
Blessed be the darkness that gives birth
to the light
Two-fold God, the wheel is
spinning
Shadow Lord, your night is
ending
Shining One, your fire is
burning
The light, once waning, is
now returning
Summer's promise and
winter's rage,
Oak King and Holly,
infant and sage
With your ancient
power and renewed might
Bring to us
now your holy light
Blessed be the
Sun reborn this night

Stories for Imbolc/ Brigit's Day

Storyteller's Note:
A Scottish story tells how the young Brigit (or Bride) is imprisoned in
the icy fortress of the Cailleach through the cold winter until she
escapes with the help of the Cailleach’s son, with whom she elopes.
In another version, the Cailleach herself drinks from a magic well on the
first day of spring and is transformed into Brigit. In either case,
it is the return of Brigit that ushers in the promise of spring. The myth
of the descent and return of the Goddess is central to the religion and
experience of Wicca, so much so that Gardner called it simply “The Myth of
the Goddess.” Told and retold in many forms throughout history, the
story is an ancient one -- already old when it was recorded in Sumeria
(“The Descent of Inanna.” Wolkstein, Diane & Samuel Noah Kramer.
Inanna Queen of Heaven and Earth: Her stories and hymns from Sumer.
New York: Harper & Row, 1983.) This is my latest
version.

Into the
Circle (The Descent of the
Goddess)
by
Lycia
The Queen of Heaven and Earth opened her ear and her mind to the
Underworld below her. From the Great Above she descended into the
Great Below. Through each of the seven gates she passed.
At the first gate she
removed her horned crown.
At the
second gate she removed her lapis necklace.
At the third gate she removed her sparkling stones.
At the fourth gate she removed her
splendid breastplate.
At the fifth
gate she removed her golden bracelet.
At the sixth gate she laid down her wand.
At the seventh gate she shed her royal
robes.
She entered the abyss. She
knew darkness and fear. She knew suffering, pain and death.
She died there in the darkness. The God's compassion found her in
the darkness. Love reached out to her in the darkness. Wisdom
came into her in the darkness, and on the third day, she was reborn
complete. From the Great Below she ascended to the Great
Above. Through each of the seven gates she passed.
At the seventh gate she
wrapped herself in royal robes.
At
the sixth gate she took up her wand.
At the fifth gate she reclaimed her golden bracelet.
At the fourth gate she reclaimed her
splendid breastplate.
At the third
gate she reclaimed her sparkling stones.
At the second gate she reclaimed her lapis necklace.
At the first gate she reclaimed her horned
crown.
And as she reclaimed her place
in the heavens, she shone with a beauty so gentle and so strong it
transformed all creation.
The Great Goddess is the moon
that waxes and wanes, the river of life, the circle of rebirth. In
her are the mysteries of living and dying. Through her all things
pass, and to her all returns.

Stories for
Ostara
Both "Easter"
and "Ostara" derive from the name of the Teutonic moon-maiden goddess
Eostre, whose symbols were the egg (representing fertility and new life in
a natural sense and wholeness and creation in a cosmic sense) and the
bunny (representing the exuberant fertility of nature in
springtime). In the lore of many Native American tribes, Rabbit
(like Coyote and Raven) appears as a powerful figure with the cunning of a
trickster and the powers of a god.

The Egg
by
Lycia
Before the world we know was born,
Before the fire of the stars and the flow of the seas,
before the bones of the earth
and the breath of the sky,
before darkness,
before light,
before thought and form,
before male and female,
before life,
before death,
before time itself began,
there was the egg.
The egg was all, and all was one.
The egg hatched, exploding with endless force and continuing motion,
shattering into stars in the curved shell of space.
And the stars blazed into furnaces, into forges of reality,
birthing swirling planets and changeable moons.
And as our bright blue world swiftly spun
through the wild and lonely reaches of space,
the union of earth and sky conceived life in their love,
nurtured by the wisdom of the waters,
and enlived with the fires of the cosmos.
We are that life,
born of heaven and earth,
born of star-stuff and motion,
born of the endless egg,
still endlessly hatching,
still endlessly connected,
still endlessly becoming,
still all,
and still
one.

Rabbit
Boy
by
Lycia
In the beginning times, when humans and animals still knew each
others’ languages, Rabbit found a tiny blood-red ball. Rabbit played
with the ball, kicking and batting it about with his feet. There is
power in motion, and as Rabbit kicked and batted and spun that ball, it
began to change. The ball grew arms and legs and a head and became a living
human boy. Rabbit took the boy home to his wife, and the couple raised
Rabbit Boy as their son.
When Rabbit Boy had grown into a
fine young man, Rabbit decided it was time to tell the boy he was
adopted. “Son,” he said, “I’m sorry to tell you that you’re not a
rabbit like your mother and me. You’re a human being. And as
much as we love you, it’s only right that you get to know other humans and
take your place among them.” So, with promises to stay in touch and
to visit his mother often, Rabbit Boy set off into the world.
He soon found a human
village. The people were much impressed by the fine clothes Rabbit
Boy’s mother had made for him, and even more impressed by Rabbit Boy’s
friendly nature. He was kind, giving, gentle and wise, and, like his
father, he was full of playfulness and fun. The girls remarked on
his good looks and kind heart. The young men remarked on his fine
clothes and tools. The elders remarked on the power and wisdom they
saw in his eyes. Soon, Rabbit Boy caught the eye of a beautiful
maiden who was as kind-hearted as he, and the two planned to be
married.
All seemed well, but people can
be complicated creatures. While many people loved Rabbit Boy for his
wonderful qualities, Iktome, a wicked trickster, hated Rabbit Boy for the
very same reasons that others loved him. And many of the young men
were jealous of Rabbit Boy as well, and a few of the villagers were
suspicious of the newcomer. Iktome began to speak against Rabbit
Boy, saying, “Look at him showing off! He thinks he’s better than
us.” He whispered to the other men, saying, “He’s not one of us –
How can you let him marry a fair daughter of our tribe?” He told the
others Rabbit Boy’s power wasn’t so great. “I have a magic hoop that
can take away all his power,” Iktome said.
Iktome persuaded them with his
hatred and jealousy, and the people became a mob. They caught Rabbit
Boy in Iktome’s hoop. Now, the hoop didn’t take Rabbit Boy’s power
away. His wisdom was too much a part of him for that. But
Rabbit Boy decided to play along just to see what would happen. He
knew his power was greater than the sun, which he had defeated in a
vision, and that even if he was sent away he could return. The men
tied him up and, encouraged by Iktome, decided to cut Rabbit Boy up and
make stew of him. When they did, a great storm cloud covered the sun
and the stew meat disappeared from the pot.
The people quickly regretted
what they had done. They called for Rabbit Boy to come back.
They promised to welcome him. The clouds passed, the sun came out,
and Rabbit Boy returned, whole and stronger than before. Iktome,
still jealous and hateful, said, “I’m better than Rabbit Boy. My
magic is stronger. I’ll show you – tie me up too! Cut me up
into stew meat! I’ll come back even stronger than he did! So
the people did as he demanded, and the wicked trickster outsmarted
himself.
Rabbit Boy married the maiden,
with the blessings of the whole village, and he and his wife gave his
parents many, many grandchildren.
Iktome never did come
back, but he wasn’t completely without merit. He did make a passable
stew.

Source note: This
story, also known as "Blood Clot Man," is freely adapted from a White
River Sioux tale. See American Indian Myths and
Legends. New York: Pantheon Books, 1984. Rabbit's battle
with the sun is recounted in
"Rabbit
Fights the Sun" in the Midsummer section.

Stories for Beltane
The Origin of
Love
by Lycia
(based on
Aristophanes'
definition of love)
Long, long ago,
when the world was young, love
did not yet exist.
Into this strange
world, strange creatures called humans
came into being.
But humans then did not look as
humans do now.
When humans were first
created they had four arms and four legs and two
heads, and they were very strong and very
fast and very purposeful -- so much so that the Gods were afraid they would take
over.
So Zeus, looking down
fearfully from Mount Olympus, hurled down
thunderbolts (Zeus' answer to everything) and
divided each creature in two, leaving us as we
are now.
But in some deep corner of
our hearts, we remember what we once were, and we
long to be whole again.
It's this longing, born
into each of us, that we call love -- that
yearning to reconnect with the missing half of ourselves,
our soulmate, and become one
again.

Elk
Medicine
by
Lycia
The Sioux hunter had no elk medicine to make him lucky in the hunt
and in love, but he was skilled with bow and arrow, and determined to try
his best. He stalked the elk all through the day, and he was so
intent on following the trail that when night came he was far from home in
an unfamiliar place.
It was a moonless night and too
dark to make his way, so he settled in next to a cool stream to pass the
night. Wrapped in his fur robe, he tried to sleep, listening to the
noises of the forest around him: the cries of night animals, the hoots of
owls, the wind in the trees. Then he heard something else – a sound
like nothing he had ever heard before. It was a strange sound, a
haunting and oddly beautiful moaning, warm and sweet, full of wanting and
loneliness and hope.
Listening to this strange song,
the hunter fell asleep and dreamed of a redheaded woodpecker leading him
to the source of the sound. When he woke, it was daylight, and a
redheaded woodpecker was sitting on the tree branch above him. The
bird flitted away to another tree, then turned to look back at the
hunter. The hunter followed, and the bird led him to a cedar
tree. Landing on a dead branch, the woodpecker pecked holes into the
hollow tree limb, and as the wind rose, the hunter heard the wonderful
sound he remembered from his dream. He asked permission to take the
branch, and with a bob of its head, the woodpecker agreed and flew
away.
The hunter waved the branch in
the air. He blew on it, but nothing he did could make the branch
sing. He wanted to learn this magic more than anything, so he
purified himself in the sweat lodge and fasted for four days and nights
alone on a hill top, all the while crying out for a vision. On the
fourth night, the redheaded woodpecker appeared to him and took the form
of a man to demonstrate how to hollow out the branch with a bowstring
drill, how to make the holes, how to carve the end to look like a bird’s
head with an open beak. And when the vision-man finished creating
the flute, he raised the mouthpiece to his lips and showed the hunter how
to make the flute sing. The hunter carefully followed these
teachings and carved his own flute, and when he had finished, he painted
the bird’s head with the sacred color red in honor of the
woodpecker.
His thoughts now turned to the
girl he loved, but had never dared to approach, feeling that he had
nothing to offer her. She was the proud daughter of a great chief,
and the hunter was poor, but now he knew that he could offer her this
music. As he thought of the girl, he created a special song for
her.
He went to her family’s tipi,
and leaning against a tree in the moonlight, he played the song, pouring
into it all the longing of his heart. When she heard this haunting
and lovely sound, the girl could not stay away. She knew the song
was meant for her, and she knew the hunter was offering her the music of
his heart. They lay together that night, under one blanket, and soon
were married.
The hunter taught the
other young men the secrets of the flute magic, and the young women needed
no teaching to understand the music that reached into their hearts.
And so the flute magic spread from tribe to tribe, down through all the
generations, bringing young lovers together in the moonlight with its
strange sweet song.

Source note:
This story is based on the traditional Brule
Sioux legend of the siyotanka, the flute used only for courting
songs. The legend, as told by Henry Crow Dog in 1967, is available
online at
http://www.stroudflutes.com/history.html with audio files of the flute
music.

Stories for Midsummer
Rabbit Fights the Sun
by Lycia
In the early days of the world, the sun
grew stronger with every passing day. At first the growing warmth was
pleasant, but as the days passed and the sun grew ever more powerful, the
heat became oppressive. The sun was out of balance with the world, drying
up all the water and scorching the plants. The people suffered. The earth
itself suffered, but the sun was too full of its own power to care. Rabbit
decided that something must be done.
He took his bow and a quiver of
arrows, and headed for the east. He made a shelter from cactus when the
heat was unbearable, and traveled as quickly as he could when the sun went
down in the west. Finally he came to the place where the sun rises, and he
notched an arrow and waited as the ground around him boiled. Coming so
close to the heat of the sun scorched Rabbit’s fur, so that even now
rabbits have brown patches behind their ears and legs.
When the sun was halfway up,
Rabbit let his arrow fly straight through the heart of the sun. Standing
over the defeated sun, Rabbit declared: "The white part of your eye will
be the clouds, and the black part of your eye will be the sky! Your
kidneys will be stars, your liver the moon, and the heart of the sun will
be the night!"
And so it was.
"And," said Rabbit, "You will
never be too hot again!"
And it never
was.
And if the sun ever does get too hot, Rabbit has an arrow
ready.

Source note: This story is
based on "Three-Legged Rabbit Fights the Sun," collected by Ella Clark
from an unnamed western Rocky Mountain tribe. The story is available
online at
http://solar-center.stanford.edu/folklore/three-legged-rabbit.html
and in American Indian Myths and Legends. New York: Pantheon Books,
1984. The White River Sioux tale of
Rabbit
Boy in the Ostara section also mentions Rabbit's defeat of the
sun.

Stories for Lughnasa

Storyteller's Note:
Like many people from the American South, I'm a child of both Celtic and
Cherokee ancestry. And at this time of year, as we honor the Celtic
Lugh for whom the festival of Lughnasa is named, I honor the Corn Mother
of the New World as well. I've based this story on the Cherokee
legend of the origin of game and corn, while drawing also on Corn Mother
stories from other peoples of the Southwest and East who revered corn as
sacred food, particularly the stories of the Penobscot and the Abnaki. The
Invocation to Mother Corn is inspired by an account of an Arikara Corn
Ceremony. (See Voices of the Winds: Native American Legends.
New York: Facts On File, 1989.)

The Corn Woman's
Blessings
by
Lycia
Selu and her husband Kenati lived in the beginning times, soon
after the world was made. Kenati was a lucky hunter, who never
failed to provide his family with game. Selu was a woman of both
compassion and beauty, crowned with pale hair the color of sunlight on
water, long and thick and strong as silk. Selu and Kenati had two
sons named Good Boy and Wild Boy. Wild Boy was forever getting his
brother into mischief, but Selu, with a mother's wisdom, adored them
both.
One day Wild Boy said to his
brother, "Where does our father find so much game? We should follow
him and find out." So when Kenati took his bow and left for the
hunt, his sons followed. First Kenati went to the swamp and gathered
strong reeds. The boys watched as their father trimmed the reeds
into arrows and fitted them with feathers. Then Kenati went to the
mountains. He rolled a great rock away from the tallest mountain,
revealing the opening of a cave. Out of the cave ran a deer, and
Kenati rolled the rock back over the opening. The boys watched as
their father drew his bow and shot the deer with an arrow. As Kenati
lifted the deer on his back and started his journey home, the boys said
"We can do that!" and made plans for the next day.
Like boys everywhere, Wild Boy
and Good Boy wanted to be like their father, to do the things he
did. So the next day, their bellies filled with meat, they went to
the swamp and made arrows. Then they went to the mountains and,
working together, rolled aside the great rock. A deer ran out and
the boys ran after it, but in their excitement they forgot to cover the
opening of the cave. While the boys chased after the deer, animals
and birds poured out of the cave and scattered around the world.
Kenati, in his anger at
discovering this mischief, went deeper into the cave and released the
insects of the world to bite and sting the boys. "You bad boys," he
said, "have had it too easy. When we needed food, we always had
it. Now you will have to search through the forest to hunt game and
still not find enough." And with that Kenati stormed away.
Soon the boys were hungry, and
-- like boys everywhere -- they went to their mother to feed them.
"We have no more meat," Selu told them, "but I will provide for you.
Wait here and I will see what I can do." Soon Selu returned with a
basket of corn to feed her children. She showed them how to grind
the grain and bake bread.
One day Wild Boy said to his
brother, "Where does our mother find so much corn? We should follow
her and find out." So when Selu took her basket and went to the
provision house, her sons followed. No corn was left in the
provision house, but Selu did not seem to mind. As the boys watched,
Selu placed her basket in the center of the room and danced around the
basket in a circle seven times, letting her pale hair fly around
her. And as she danced, corn fell from her body into the
basket. When they saw this magic, Wild Boy said to his brother, "I
don't think we can do that. Our mother must be a witch."
Like mothers everywhere, Selu
instinctively knew just what mischief her boys were up to. When she
returned from the provision house with her basket, she knew their
curiosity had broken the spell, and she knew what she must do. "I
will die soon, and my spirit will go to the end of the world where the sun
comes up," she told her boys, "but I will always provide for my children,
for all my children."
She told them how to prepare her
body. She told what they must do, how they should clear the land in
front of their lodge, how they should draw her body around the circle
seven times, how they should keep watch all night. And in the morning, she
told them, her body would be gone but corn would grow all round
them.
"When I leave you, I will still
be with you," she told them, "and when your path leads you to the end of
the world beyond the setting sun, I will be there to welcome you."
The boys followed her
instructions, more or less. Clearing the ground was hard work and
Wild Boy was easily distracted, so they only managed to clear the ground
in seven spots. This is why corn does not grow everywhere in the
world.
But Selu, with a mother's wisdom
and endless love for her children, was true to her promise. In the
morning, stalks of corn grew all around the brothers, and in each stalk
they found strands of Selu's pale hair, silks the color of sunlight on
water. We find these still today, when the corn ripens and we
receive the harvest of the Corn Woman's blessings.
And so we know that Selu
is still with us, still providing for us, for all her children.

Invocation to Mother
Corn
by Lycia
In the time before
time, When the world was young and our
people were younger Our Mother Corn journeyed
here from the world beyond.
We called to Mother Corn
and she heard us. We called to Mother Corn and
she heard us. We called to Mother Corn and she
heard us.
Mother Corn came to care
for her children. She came to be our friend and
our helper. She came to be our health and our
strength.
Mother Corn walked with us
from the faraway past. She walks with us along
our winding paths. She walks with us toward
tomorrow.
Mother Corn gave herself
to feed our fathers and mothers. She gives
herself to strengthen our people. She gives
herself to our children and their children.
Mother Corn returns to us
and we welcome her. Mother Corn strengthens us
and we honor her. Mother Corn blesses us and we
give thanks.
We call to Mother Corn and
she hears us. We call to Mother Corn and she
hears us. We call to Mother Corn and she hears
us.

Invocation to
Lugh
by Lycia
In the long ago of the Old
Ones, Lugh of the Long Hand came to the
Danaans The Shining One took the
throne.
We called to Father Lugh
and he heard us. We called to Father Lugh and he
heard us. We called to Father Lugh and he heard
us.
Lugh is the king born at
midwinter To grow with the power of the summer
sun. Lugh is the light that shines in the
darkness.
Lugh is the king who
battles his rival, Lugh is the strength that
flows in sunlight. Lugh fights the night with the
spear of the sun.
Lugh is the king who weds
the Goddess. Lugh is the light that caresses the
earth. Lugh is the king who marries the
land.
Lugh is the one reaped in
the harvest. Lugh is the light that grows within
us. Lugh is the life-force in the
grain.
We call to Father Lugh and
he hears us. We call to Father Lugh and he hears
us. We call to Father Lugh and he hears
us.

An excellent version of the Lugh
myth can be found at http://members.aol.com/broomcoven/lugh.html

Stories for Mabon
The name
Mabon used for the autumn equinox derives from the Welsh Mabon ab Modron,
the son of the Great Mother. Like the Greek Persephone (whose story
is also told at this time of year), Mabon is stolen away to the Otherworld
and later returned. As winter and summer are two sides of the same
coin, descent (commemorated in the autumn) and return (celebrated in the
spring) are two sides of the same story (see the
Imbolc
section of this page). On a basic level, descent myths like these
and the one told below speak of the yearly seasonal cycle of
transformation and renewal celebrated in the wheel of the year. But
they also whisper of the mysteries of birth, death and rebirth at the
heart of The Craft and sing of the transforming power of contact with the
sacred source.

Cerridwen's
Wish
by Lycia
Cerridwen had a rather
unpromising son named Afagddu and more promising plan. She wished for her
son to have all the wisdom of the mysteries of the world, and she wanted
to give this to him. It was an ambitious piece of spellwork, even for her,
which required that just the right blend of magical herbs be kept boiling
in her cauldron for a full year and a day. The brew itself would be
poisonous, but the first three drops that sprang from the cauldron on the
appointed day would contain all the divine inspiration Cerridwen wanted
for her son.
So she went to work, and it was
hard work mixing the potion and keeping that cauldron boiling. She hired
an old blind man named Morda to tend the fire and a clever young boy named
Gwion Bach to stir the brew. The year passed, the cauldron bubbled, and
Cerridwen grew tired. She went to her room to rest -- just to close her
eyes for a moment, she told herself -- and then fell fast
asleep.
And so, when the fateful drops
sprang from the cauldron, it was little Gwion who caught them -- like
snowflakes -- on his tongue. The cauldron was blown apart, and so was Gwion. Those drops transformed him, opened him, exploded him, expanded
him. He could do anything. He understood everything. And at that moment he
understood just how much trouble he was in.
He had stolen magic from
Cerridwen and her baby boy, and he could feel her rage boiling over,
hotter than the smoking cauldron that lay burst upon the floor and more
venomous than the brew that leaked out of it.
Cerridwen was awake. She was
pissed. And she was coming for him.
With a thought he was gone,
racing across the moor in the shape of a hare. And Cerridwen was a hound
chasing after him. Just as she pounced, Gwion dove into the river and swam
away as a fish. And Cerridwen was an otter chasing after him. Just as the
otter swiped at his tail, Gwion jumped into the air and flew away as a
bird. And Cerridwen was a hawk chasing after him. Before the hawk could
swoop down on him, Gwion dove into a pile of winnowed wheat and hid there
– a kernel of grain among other kernels of grain.
Gwion felt very clever in his
perfect disguise. And Cerridwen herself could not tell which kernel was
Gwion, not even when she became a great black hen and gobbled up all the
grain in her beak and swallowed. And that was the end of Gwion
Bach.
But that's not the end of the
story. In swallowing Gwion as grain, Cerridwen had taken him into her. She
became pregnant with him, and in the fullness of time, gave birth to him.
She was still angry with Gwion for his betrayal, but when she looked into
the radiant face of the baby she had borne, she found herself unable to do
him harm. Instead she cast the child on the waters of the river, wrapped
warm and dry inside a leather bag, and left him to the direction of the
current and the mercy of fate.
When he was caught in a net and
delivered from the bag by a kindly fisherman named Elphin, the boy who
had been Gwion proclaimed himself Taliesin, soon to be known as the
greatest of bards, who had sipped inspiration from the cauldron of
Cerridwen herself, who had been both dead and alive, born and reborn,
swallowed by the Goddess, nurtured inside her, and given rebirth through
her.
He had become Cerridwen's
son, gifted by her with all the wisdom of the mysteries of the world,
fulfilling Cerridwen's wish in a way even the Mother had not
foreseen.

Source note: Lady
Charlotte Guest's translation of the old Welsh Tale of Taliesin is
available online at
http://www.cyberphile.co.uk/~taff/taffnet/mabinogion/fulltales/Taliesin.htm.

Invocation to the
Great Mother by Lycia
In the time before
time, When the world was young and our people
were younger, The Great Mother journeyed from the
world beyond.
We called to the Mother
and she answered. We called to the Mother and she
answered. We called to the Mother and she
answered.
The Mother came to care
for her children. She came to be our friend and
our helper. She came to be our health and our
strength.
The Mother walked with us
from the faraway past. She walks with us along
our winding paths. She walks with us toward
tomorrow.
The Mother gave herself to
feed our fathers and mothers. She gives herself
to strengthen our people. She gives herself to
our children and their children.
The Mother returns to us
and we welcome her. She strengthens us, and we
honor her. She blesses us, and we give
thanks.
We invoke the Mother and
she is here. We invoke the Mother and she is
here. We invoke the Mother and she is
here.

Invocation to
Mabon by Lycia
In the ancient days of the
Cymru Mabon the Hunter was born to the
Mother. The light-child was born to the
world.
She called to the Sun and
he answered. She called to the Sun and he
answered. She called to the Sun and he
answered.
Mabon is the Great Son of
the Great Mother, The child of light planted in
shadow, The Mother’s Son who was stolen
away.
Mabon is the lost one
mourned by the Mother, The lost light that fades
in autumn, The lost life of the barren
earth.
Mabon is the spark
swallowed by darkness To grow in the wisdom of
the Mother’s womb. Mabon is the seed that sleeps
within.
Mabon is the promise in
winter’s cold heart, The promise of life in the
growing dark. Mabon is the son who will
return.
We invoke the Son and he
is here. We invoke the Son and he is here.
We invoke the Son and he is here.

Stories for Samhain
The
Skeleton House
by Lycia
A
young man often looked out over the graveyards of his people and wondered
about the dead. He wanted to
know if they still existed somewhere, and what it might be like
there. He asked his father,
who was the village chief, but his father could not answer his
questions. So the chief sent
for Badger Old Man to help his son find the answers he needed.
Badger
Old Man came, bringing his wisdom and his medicine with him. Following the old man’s
instructions, the chief prepared his son for the journey just as his
people have always prepared the dead. They dressed the young man in a
white kilt, blackened his chin with shale, and tied an eagle feather to
his forehead. Badger Old Man
spread a white robe on the floor for the young man to lie on. Then the old man gave the boy
medicine to eat to send him on his journey. “He will go far away,” Badger Old
Man told the chief, placing more medicine in the boy’s ear and on his
heart. “But you will be able
to call him back, and he will return to you.”
Finally, Badger Old Man wrapped the robe around the young man, and
the journey began. Leaving
his body behind him, the young man found a road leading away to the west
and followed it. He met a
woman along the way who asked him what he was doing. He explained his quest to reach
the land of the dead. She
told him that she was going to the same place, but that she had not
followed the straight path in life, and her journey to the land of the
dead – the skeleton house – would take a very long time.
The
young man continued to follow the path. He came eventually to the edge of
a cliff. “Why have you come
here?” asked the chief who was sitting there. The young man again explained his
quest, and the chief pointed to the skeleton house, far below them at the
bottom of the cliff, hidden from sight by a great cloud of smoke. Then the chief spread the young
man’s kilt out on the ground and asked him to sit on top of it. He lifted the young man up and
threw him over the edge of the bluff, and the kilt flew him safely and
gently to the ground below.
As the
young man continued on his way he met Skeleton Woman. He asked her the source of the
great cloud of smoke he had seen in the distance. She told him that destruction lay
at the end of that path and that he must not go that way, but that he
should continue on the road he was traveling to reach the skeleton
house. Following her
instructions and keeping to the path he soon reached his
destination.
When
he arrived, he saw children playing, and soon met other people. “Who are you?” they asked. He told them he was the son of the
village chief from Shongopovi, and they directed him to the house of the
Bear clan so that he could join his ancestors. The ladder that led to the house
was made of sunflower stems and could not hold the weight of a living man,
so he could not reach the house.
Instead the skeleton people brought him food to eat, and laughed
when he put it in his mouth.
They explained that the dead eat only the aroma of the food, which
is its soul.
When
the young man had finished his meal, his hosts asked him why he had
come. He explained that he
wanted to learn about their existence in the land of the dead. He was able to see for himself
what it was like. The
skeleton people told him that they missed the light of the land of the
living, and that they lived poorly here in the skeleton house. The young man reminded them that
life could be hard in the living world, especially when the rains didn’t
come, and when the crops failed.
The young man and the skeleton people discussed these problems, and
agreed on a plan to help each other.
By
this time, the young man could hear his parents wailing for him, and he
went back the way he came.
The young man returned to his body, and Badger Old Man unwrapped
the robe, washed away the shale and medicine, and discharmed him. The young man’s family fed him and
asked him what he had learned, and he told them all that he had
experienced.
Then
he shared with them the agreement he had made with the skeleton people –
that the living should make prayer offerings to enrich the lives of the
skeleton people, and that the skeleton people would send rains and good
crops to the living.
And that is how the living and the dead
learned to work together for the benefit of all.

Source note: The above story is a retelling of a
traditional Hopi tale. See
American Indian Myths and Legends. New York: Pantheon
Books, 1984, or read it online at
http://www.sacred-texts.com/nam/hopi/toth/toth_029.htm.

SAMHAIN
VISITOR A Fiction or maybe a
dream By Karin H.
Clarno-Fugatt
Sitting inside my house on
October 31st listening to the wind and the rustle of the dead leaves
outside, finally finished with all the preparations for our family dinner
and the ritual that will happen at midnight. Our family comes together
every year for the feast we share with those loved ones, which have passed
on. But on this night there was a special guest who has never visited us
before and we were both pleasantly surprised and shocked. For we had never
had a visit with visuals before. We always felt the presence of dear
friends and family members who were no longer with us, but this was
special and somehow inspired us and especially me, for the rest of this
year and the next.
I had just had my first child in
August the year before, a Leo baby. She was darling, but the one thing
that saddened my heart was that her Grandfather would never meet our
little one. She had dark hair like her grandfather and somehow had managed
to get his dimples, which somehow seemed to skip both of his girl
children. I had always wondered how he would feel about our religious
views, but always felt that he would somehow understand and except them,
maybe even share in our rituals if he had lived.
As the guests started arriving,
there was a chill in the air. Coven brothers and sisters, family and other
friends who would only stay for the dinner commented on the chill that was
not just outside, but inside as well. We started dinner a little later
than planned, as we seem to live on pagan standard time. And as we ate my
little one started giggling and tossing stuff in the direction of the
empty place setting. We all just giggled with her and shared in her
delight, though we could not see what she was seeing. As the meal was
ending, there was a flare of light from the chair that she could not take
her eyes off of that whole night. We all sat back in shock. Even
though we are mostly all witches here in this household to truly see
something like this is still difficult to deal with even when it is
Samhain.
The light flared brighter
as we sat in awe and wonder. I could not stop from wondering who this was
and why show themselves now after having so many of these dinners year in
and year out. The lights started to take on a form and it was definitely a
man. A man with dark hair and has he became more visible, dimples in his
smile. At that moment I realized it was my father, coming from the land of
the dead to see his precious granddaughter and to let me know that he was
proud of me and the life I had created for myself and family. With his
smile the air in the dining room warmed and our little giggled even louder
as the image of my father floated towards her. She was not afraid of this
apparition that appeared and moved towards her. She lifted her arms in the
way she does when she wants a hug from one of us as though she knew this
man, never having met him. He turned from her to me and smiled. At that
point I broke into both laughter and tears. This was a dream come true.
And in the years to come would be the one memory in hard times that would
keep me going. So remember on Samhain set a place for those who have gone
before. They may just surprise you with a visit if you do. Brightest
Blessings and have a Happy Samhain.

Stolen Away (Tam
Lin)
By
Lycia
Her name was Janet -- "Fair Janet" she was called -- and she lived
in her father's castle by Carterhaugh woods. Janet, being Janet, did
just as she pleased, and few people tried to tell her what to do.
But there was one thing all the ladies of the castle told her, and that
was to never -- ever, under any circumstances -- go into the woods alone,
because it was rumored that an elf-knight rode there who could steal away
the hearts of fair ladies, and no maiden was safe from his
charms.
So Janet, being Janet, lost no
time in getting there.
She dressed in her best green
gown and roamed the woods, sadly, without incident, but she soon lost her
disappointment in the beauty of the forest around her. Just as she
decided to go back to the castle, she found herself entering a small
clearing ringed with oak trees. At the center of the clearing
bloomed a marvelous rose that seemed to be waiting just for her.
Now, Janet knew that when
visiting another castle one should never take anything without at least
asking permission, but she didn't realize that the same held true in the
forest. Oh, someone might have tried to tell her this, but Janet
paid no attention to people telling her what not to do. So when she
saw the rose, she walked straight to it and plucked it from the
bush.
At that moment a voice boomed
out behind her: "How dare you pluck that rose without asking my
leave!"
Janet turned -- after taking a
moment to arrange the flower in her hair -- and that was when she saw the
knight. He was the most beautiful man she'd ever seen, with shining
black hair and warm gray eyes. She thought of the story of the
elf-knight and half-expected him to fade into the mist, but he stood there
-- as real and solid as she was -- with his eyes fixed on the rose in her
hair and flashing silver in anger.
Janet thought how beautiful
those eyes were, and then, being Janet, told him that she would pick any
flower she liked, anywhere she liked, and she would never, ever, ask his
leave for anything as long as she lived! And the knight, whose name
was Tam Lin, fell in love with her on the spot. He burst into
laughter, and his smile took Janet's breath away, and perhaps her heart as
well.
They met in the clearing
whenever Janet could slip away from the castle, which wasn't often
enough. When she was with Tam Lin, Janet felt her heart could burst
with joy, and when they were apart she felt her heart could break from the
pain. She felt sick with the strain of it, and the ladies of the
castle noticed that Janet grew pale and distracted. They whispered
that she had fallen under the spell of the elf-knight. Janet heard
them, and told them to mind their own bloody business, but part of her
wondered, and part of her knew.
So she went directly to Tam Lin
and asked him straight-out if he were mortal or faerie, and he told her
that the answer was not as simple as the question. He had been born
as human as she, but one day the young knight rode the wrong way around a
faerie mound and found himself spirited away to the otherworld, where he
became a knight of the Faerie Queen's court and a favorite of the Queen
herself. He told her that Elf-land was a fair country, and he could
happily stay there, but for two things.
The first, of course, was
Janet. The elf-knight's heart was still human, and he loved her with
all of it. The second thing was that he feared he had little time
left in either world. The Queen paid a tithe to the Netherworld
every seven years, and this year Tam Lin feared he would be sacrificed as
payment.
Janet was horrified. At
the thought of losing Tam Lin, the pain of her heart throbbed, and she
knew it for what it was -- the pain of separation from the other half of
her soul, as human and as magical as love itself. And she knew her
sickness for what it was as well. She touched her hands to her
stomach and smiled.
Janet insisted that there must
be some way to free Tam Lin so that they could be together, but he said it
was too dangerous. She seized on this, knowing that if the path was
dangerous, then at least the path existed. She told him they must
try, for themselves, and for the child she now felt growing inside
her. And Tam Lin told her there was a way, if she were very brave,
and very sure. And Janet, being Janet, was both.
The next night was All Hallow's
Eve, when the walls between the worlds fade, and -- as everyone knows --
the faerie host rides out in procession. And, as she and Tam Lin had
planned, Janet was waiting for them at the crossroads. She drew a
protective circle around herself, and ducked out of sight to wait.
As the first company approached on coal-black horses, Janet had no eyes
for the beauty of the procession. She was watching only for her
love. The second company, mounted all on fine brown steeds, road by.
And finally the third came into view, with Tam Lin leading on a milk-white
steed. As the third company approached, Janet sprang into
action. She leaped from her hiding place and caught the white
horse's reins, then threw both arms around Tam Lin and pulled him
willingly from the saddle, caught in the circle of her arms. She had
won him, but to keep him she would have to hold onto him, no matter what
happened.
The faerie host cried out that
Tam Lin had been stolen away, but the terrible cry of the Faerie Queen
rang out above the others. She railed that she would have rather
changed Tam Lin's human heart to one of stone than to lose him to another,
that she would have rather taken his eyes than to have him look on another
woman with love, that she would have paid the tithe seven times over
rather than part with him. The cry rang in Janet's ears, but she
knew she must hold on. Before her eyes, Tam Lin was transformed into
a bucking stag, but Janet knew her love -- she could still feel him in her
arms -- and she held on. He took other forms, a writhing snake, a
red-hot iron bar, but Janet knew her love, and she held on. Finally,
the faerie magic was exhausted and Tam Lin reverted to his first form,
that of a mortal man. Janet threw her cloak around him and knew she
had won.
The faerie host faded into
the mist, the faerie queen's wail faded into the wind, and the silver
light faded from Tam Lin's gray eyes. But those eyes lit with a new
fire when he met Janet's gaze. He saw the question in her eyes, and
he nodded, then he smiled at her as he had that first day in the
forest. Janet caught her breath, and, gently taking his hand in
hers, she took her husband home.

Source note: The story of Tam Lin comes
to us from the Scottish border lands where the ballad has been recorded in
a number of versions. For more information on the source material
(than you would have thought possible), go to
http://www.tam-lin.org/ . The Tam
Lin story is usually placed at All Hallows Eve, but has also been
associated with May Eve, and is equally appropriate for Beltane
storytelling.

For Tam
Lin by Lycia
It was the cold fire of
you that drew me that sweet sad night music at
the edges of sleep calling me to your silver
eyes
I tore your heart from
her wrapped myself 'round it
like the folds of a cloak we
were the same she and I you and I such fierce love
binding
I held fast
I touched all the pieces of the puzzle of you
felt my strength in the stag my
heat in the fire burning reaching as you did for the light of another world felt your
skin against mine silver and shivering in the
night forest the wild hunt raging 'round
us and gone
All our long living days
in safe walls and still the glow of that haunting touches you in the dark your eyes, your night sounds, the warm
aching rhythm of breathing restless
against me
my arms wrap you
without waking I hold
fast

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