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The descent beckons
as the ascent beckoned.
Memory is a kind
of accomplishment,
a sort of renewal
even
an initiation, since the spaces it opens are new places
inhabited by hordes
heretofore unrealized,
of new kinds--
since their movements
are toward new objectives
(even though formerly they were abandoned).
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DAVE
NANCE'S WEBSITE . . . WILL SOON BE MOVING HERE
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— William Carlos Williams
(1883-1963)
from The
Descent
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more
poetry. . .
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Photography by Dave
Nance.
"We say that the hour of
death is uncertain, but when we say this we think of that hour as situated in an
obscure and distant future. It does not occur to us that it can have any
connexion with the day already begun or that death could arrive this same
afternoon, this afternoon which is so certain and which has every hour filled in
advance".
Marcel Proust, In Search
Of Lost Time, Vol III -
The Guermantes Way, Part Two : Chapter One
The custom of marking the site of a death on the highway has deep
roots in the Hispanic culture of the Southwest, where roadside memorials are often referred
to as descansos ("resting places"). Traditionally, descansos were
memorials erected at the places where the funeral procession paused to rest on the journey
between the church and the cemetery. The association thus created between the road, the
interrupted journey, and death as a destination, eventually found expression in the
practice of similarly marking the location of fatal accidents on the highway.
Roadside memorials are a kind of memento mori: their
power derives from the fact that they remind us of our mortality -- and of the mortality of those we love. Roadside
memorials are so effective at this, because they confront us with
the reality of death as an actual event that arrives for a particular person, at
a particular place, at a particular time. They thus recall Proust's
cautionary observation about death in the afternoon.
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by Dave Nance - Descansos (Roadside Memorials)" page. The frames version of this page consists of: [index-nav.htm]
and [index-thum.htm]. All images at this website are ©
David B. Nance