Chapter 14
February 16, 1999 - Mardi Gras

Lizzy arose early and dressed in jeans and a t-shirt. Mrs. Breaux had a hot breakfast on the stove cooking as she entered the kitchen. Mr. Breaux and Chris were at the table already enjoying their coffee.

"Well, Lizzy, how did you sleep? All right, I hope?" asked Mr. Breaux.

Assuring him that she had rested comfortably, the conversation turned to the events of the day.

"After breakfast, I'll put on my costume and then we'll go over to the assembly area. Once the capitaine determines that everyone has arrived, us riders will take off for our first stop. You'll be following in one of the trucks."

"I don't get to ride?"

"Not in Mamou, Lizzy. There are all-female courirs, but not here. Anyway, the capitaine issues instructions and then leads us - the Mardi Gras, as the participants are called - on the run. Not all the Mardi Gras are on horses; some ride on flatbed trailers pulled by trucks or tractors.

"When we arrive at a farm house, the capitaine obtains permission to enter private property, after which the riders may charge toward the house, where we sing, dance, and beg until the owner offers us an ingredient for the communal gumbo. That's the point to all this. We gather the ingredients and bring them back to where the feast will be prepared.

"Often, the owner will throw a live chicken into the air that the Mardi Gras will chase, like football players trying to recover a fumble. Other riders will show off, by performing stunts while on horseback."

"Does anyone get hurt?"

Chris laughed. "Is the Pope Polish? With the amount of beer consumed, it's a wonder that more people aren't taken to the hospital. We usually finish up about noon, when we get to the fairgrounds."

"Did you ride, Mr. Breaux?"

"Ah, that was long ago, Lizzy. These old bones o' mine can't take that no more. The courir is for the young men. Me, I just sit and enjoy my beer."

"And you do a good job of that, I can tell you," teased Mrs. Breaux.

"Aii-eee, listen to that! That woman would make you to think I'm a drunkard in the street! Mas non! If she wasn't so good looking, I would have throwed her out my house and got me a twenty-year-old."

Mrs. Breaux walked over. "And what makes you think you can get a twenty-year-old, old man?"

Mr. Breaux grinned and pulled his wife into his lap. "You right - it would be more trouble than it's worth. Have to break in a new wife - aw no!"

Chris chuckled at his parents usual antics while his mother swatted his father. "Why'd I marry you, anyway?"

"'Cause I'm the best dancer you ever saw." He grinned at Lizzy. "Dat's where I met her, an' we fell in love doing the two-step."

"And they go dancing most Saturday nights to this day," added Chris.

Lizzy looked at the open happy faces of the Breauxs. Her own parents' marriage was not nearly as affectionate.

~*~*~

A HISTORY OF MARDI GRAS
A series for the Loyola VOICE by Lizzy Boudreaux

We all know Mardi Gras, or think we do. Standing on the side of the street, screaming for beads, cheering on the bands, and drinking too much. And all that is correct, for much of the Gulf Coast. Communities from Texas to Florida, from Belle Chase to Shreveport, hold Mardi Gras parades. Heck, cities as far north as St. Louis try to get into the fun.

But there is nothing like the Courir de Mardi Gras held in south central Louisiana. Harking back to ancient Europe, when the peasants were permitted one day a year to beg food from their masters, a hundred or more riders scour the countryside to gather items for a communal fest.

I can't tell you how much fun I had witnessing this in Mamou, Louisiana. I followed along the twenty-mile route, the hundred-or-so costumed riders leading the way. The capitaines wore capes and cowboy hats - a curious combination, to be sure. The riders - the Mardi Gras - wore costumes in the traditional colors of the season; that is, purple, gold and green. Some, like my friend and guide, Chris, wore the traditional high pointed conical hats called capuchons, while others sported the droopy three-cornered hat favored by jesters. We didn't gallop; instead we serenely processed down the black-top roads in this rural area, the flat fields of rice and sugar cane broken up by the occasional crawfish pond.

We arrived at a farm, and after the capitaines received the ceremonial permission from the landowners, the fun began. The Mardi Gras lined up in a field, and a dozen chickens were released. The men dashed after the birds, dirt, mud, and feathers flying everywhere. More mud than anything else - it had been raining earlier. Spectators watched gleefully, some hanging from trees, as the birds were finally caught one-by-one. All Chris caught was mud. Tasks completed, and hearty merci beaucoup later, we were on our way to our next destination. Hopefully, Chris will have better luck.

Along the way, the group sang "La Chanson de Mardi Gras" while musicians on the trucks played along.

"Capitaine, Capitaine, voyage ton flag (Captain, Captain, wave your flag)
Allons se mettre dessus le chemin. (Let's take to the road.)
Capitaine, Capitaine, voyage ton flag (Captain, Captain, wave your flag)
Allons aller chez l'autre voisin. (Let's go to the other neighbors.)"

I'm told that other towns have either mixed courirs or all-female versions. That's fine for the cause of equal rights, but keep Lizzy away from horses, please. This flatbed truck is just fine…

~*~*~

Abe Weinberg opened his front door to in response to the doorbell. There, waiting for him, was a man in hospital garb, an over-sized plastic stethoscope about his neck, sunglasses, and a sign on his chest.

"Oh, hi, George," greeted Abe nonchalantly, as if such characters showed up at his door everyday. "C'mon in."

"Thanks, Abe," George Katz returned. "Everyone set for the big day?"

"You're the first here. The girls are still upstairs. Hee…they had a late night last night…"

Abe's voice trailed off as he noticed George's attention was focused up the stairs. Turning around, he saw Emma gliding down. She was in a blue halter dress and heels, a short black wig and a beret. There was a white stain on the upper part of the dress. Her smile was accented with lips painted in a color of red so shocking it could be seen a quarter-mile away.

"Hi, George," she said, pausing a couple of steps from the bottom and leaning on the banister. "You like?"

"You wore Monica Lewinski last year," he quipped, schooling his face not to show how well he thought the tight dress looked on her.

"It's still in the news." She wasn't fooled - she knew the top of the dress showed off her assets to their best advantage. "And, you're one to talk - 'Doctor of Love?'"

George grinned as he glanced at the sign around his neck. "Oldie but goodie." He turned to Abe. "You costuming?"

"Nah, that's for you young people. I'm gonna be an old fart and sit in my folding chair. You want some coffee?"

"Abe, I've never turned down a cup of coffee in my life."

"Beer, either," added Emma as she joined them.

"Best kinda beer's free beer, Em." He worked hard to stop his eyes from wandering south - Emma's cleavage was breathtaking. He was very glad his scrub trousers were loose fitting.

"Be back in a sec," said Abe. "Y'all wait here for the others."

George turned back to Emma and noticed something he had not seen before. "Nice necklace. New?"

Emma's hand touched the Star of David hanging from a gold chain. "It was my mother's."

George looked deeply into her eyes for a moment. "That's nice. She was a wonderful lady."

"Thank you."

"You know something?"

"What?"

"I like you with dark hair."

Emma's eyes opened wide at the comment, but before she could respond, the doorbell rang. It took her a second before she broke off the look she was sharing with George to answer it.

"Hi, Chuck - William! C'mon in!" Welcomes were exchanged as they moved over to the living room. "Y'all aren't costuming today? Spoilsports!"

The two were in polo shirts and jeans. They just shrugged.

Emma turned to George. "I'm glad somebody around here knows how to get into the Mardi Gras spirit!"

George smiled to hide his turbulent feelings. Emma looked so damn sexy and innocent at the same time.

"Oh - here they are!" Emma moved to the staircase. A moment later, Marianne bounded down, a Catholic girl's school skirt rolled an inch too short, knee socks and a white blouse tied around her midriff. Her hair was in pigtails and there was black makeup around one eye.

"I don't get it," said Chuck.

"Britney Spears, silly!"

William grinned. "Aren't you taking 'Hit Me Baby One More Time' a bit far, Mari?" He gestured at her black eye.

"Correct, Mr. Darcy! You get a gold star!" Chuck groaned as he slapped his forehead. He suddenly froze as another person came down the stairs.

She was in a light-blue leotard with white tights and tutu. White wings trimmed in silver danced at her shoulders, while a silver halo floated above her blonde hair. Peeking out from her tresses were two small red horns.

Chuck's mouth fell open.

Mari laughed. "We spent all night making those wings! Doesn't Jane look great?"

Jane blushed as she glanced at a transfixed Chuck Bingley. "Y…yeah," he finally managed before getting his second wind. "I like it - a lot. You look great, Jane. You all look great," he belatedly added.

William gave his compliments as well, wondering if Chuck picked up the subtle message in Jane's costume: there's a devil underneath those wings, buddy. I think you've got the green light.

The doorbell rang again. This time Raggedy Ann and her beau, Andy, were escorted in.

"Cathy - I LOVE those!" cried Mari.

"You look like an idiot, Tilney," teased George. If Henry colored, no one could tell from all the make-up.

"Nah," said Will, "he never looked better in his life. He certainly has the hair color for it."

"You two cut it out!" cried Emma. "At least somebody knows what Carnival Day's all about!"

"And what am I - chopped liver?" demanded George.

Emma just smiled. No - definitely not chopped liver.

~*~*~

The group straggled to their site along St. Charles Avenue for the parades of Mardi Gras day. They were joined by John Waguespack and the other AIs. It would still be at least an hour before Zulu would make it to where they were waiting. Everyone was relaxing and watching the various walking clubs going by, waiting for the most famous of them, Pete Fountain's Half-Fast Marching Club.

Will was in conversation with his friends when Cathy broke in. "Chuck, your sister's here." The amused tone in her voice caught everyone's attention. Chuck turned around and his jaw dropped open again.

Carrie was walking hand-in-hand with a tall, dark-haired man in an LSU ball cap. Both were wearing Mardi Gras rugby shirts and jeans.

"Who's that?" asked Henry.

"He looks familiar," responded Will.

Jane smiled. "Isn't he that solider Carrie was talking to Saturday?"

"No way," mumbled Chuck, "…could it?"

Carrie was more than a little apprehensive as she and Buford joined the crowd, and the look on her brother's face wasn't helping matters. She made the introductions and stood back, observing the interaction between her one-time obsession - Will Darcy - and her…whatever the hell he was - John Buford.

Buford eyed his erstwhile competition. He's tall - maybe he's got an inch on me - and lean, probably cut. Played ball, obviously. Sharp dresser - got money. I can see why Carrie was interested in him. Buford stood a little taller. Well, you had your chance, loser - she's mine.

Darcy could feel the challenge emanating from the newcomer. He saw a tall, broadly built man with a full face and light blue eyes. His body said he was an athlete and his frank gaze spoke of his confidence in his own abilities. His body language told him that he considered Carrie his property. And you're welcome to her, partner. Yet, Will's character would not allow him to back down to the man, and he returned the gaze steadily.

Will shook Buford's hand, their grips just a bit strong, proving themselves to each other. "Welcome to the party, John."

"Thanks, Will." There was a pause. "Play any ball?"

"Quarterback and centerfield in high school. You?"

"Linebacker and first base. Did some wrestling, too."

"Anything in college?"

"Tried to walk-on with the Tigers, but it didn't work out. Played golf, though."

Will smiled. "That's where I know you. I was on the Tulane golf team."

Buford smiled in return. "I know - you were damned good."

"I did all right." The two, now relaxed, fell into a discussion over Baton Rouge area golf courses, which brought in the other guys, and everyone soon came to the general conclusion that The Bluffs at Thomson's Creek was the best track in the Capital region.

Carrie stood on the outer edges of the conversation, watching. She could not help comparing the two men. Both were very good-looking and at ease with themselves. Buford was the more gregarious of the two, Darcy saying only a little bit more than what would be considered polite at first. But as he warmed to his companions, he relaxed. Still, he was more a listener than a talker. Darcy's eyes were dark, while Buford's were light. Darcy's dimples were on either side of his mouth, but were rarely seen. Buford's was right in the middle of his chin, for the entire world to see.

Carrie was not an especially intuitive person, but she had a revelation that morning. Darcy was a BMW - finely built and honed, expensive but worth the money, mysterious and deep, yet open to the person willing to put forth the effort to learn how he worked. Buford was a Corvette - plenty of power and polish, everything right in front of you - no tricks, no drama. Take it or leave it.

And he likes me - a lot, she realized. I think it's time for me to drive domestic for awhile.

Later, after the boys exhausted their discussion as to the quality of the local golf establishments, Carrie had a quiet moment with Buford by the ice chest. "You know," he said as he dug through the offerings, "we should've brought some Cokes and beer. Don't feel right just helpin' myself." He handed her a Diet Coke.

Carrie shook her head. "Emma would've had your head. Chuck was advised to bring nothing - that's her way. She loves entertaining." She changed the subject. "John, could we leave early, say after Rex?"

"Sure," he said, his face concerned, "you feeling okay?"

"Mmm hmm, just a little tired. It's time to go home." And see if this thing can survive without the magic of Mardi Gras.

He smiled. "Yeah, I wanna get you back on our home turf. How 'bout dinner Saturday night?"

"I'd like that."

"Okay, it's a date." Buford was taken aback at Carrie's bark of laughter. "I say something funny?"

"Oh, John," she said, fighting between humor and mortification, "after everything that's happened this weekend, it will be our first date." She brought her hands to her face to wipe away the tears that had appeared.

Buford wrapped an arm around her dancer's waist. "The first of many, Carrie. Remember, you're my girl."

She bit her lip. "Promise?"

"I promise," he returned softy just before he kissed her.

Ten feet away, Jane saw Chuck's mouth fall open yet again.

~*~*~

Zulu is supposed to roll at eight a.m. sharp - but it's usually late. In earlier years, it was intentional, as part of Zulu's mission is to parody Mardi Gras itself. Now, as tradition-bound as any other krewe, it just seemed a jinxed organization. It certainly had more than its share of mechanical breakdowns and flat tires.

But Zulu was worth the wait. As the Big Shot rolled into view, the waiting crowd went nuts. Soon the floats and bands were upon them, and the party really began.

All members of Zulu are in blackface - jet-black makeup with exaggerated white lips. It is an intentional jest, as almost all members of Zulu are African-American. The politically correct need not apply.

Both Zulu and his queen ride, usually on separate floats, followed by their faithful Soulful Warriors and the rest of the all-male krewe. Zulu also gets the lion share of the show bands, which really gets the blood going. And of course, there are the coconuts. What everybody wants and what hardly anybody gets. That doesn't stop everyone from trying.

Unlike everyone else, Will did not have his hands up, screaming for coconuts. He was concentrating.

Sixth float, left side. Sixth float, left side. Sixth float, left side.

After the fifth float rolled by, Will worked his way to the curb. He bided his time, waiting for a high school band to march by, his eyes never leaving the approaching float. Finally, he took a step onto the street and raised his arms. He scanned the riders in black face.

A minute passed by before one of them, a plastic cigar between his teeth, shouted, "WILL DARCY!"

Will waved harder. "LEON?"

Leon Anderson, Vice President of Marketing for DGS, pulled the cigar out of his mouth before reaching down for something. A moment later he lowered a black object wrapped in a plastic bag. As a teenager made a grab for it, he jerked it up again. "NO, MAN - THAT'S FOR MY BUD THERE!" He lowered the precious hand-made Zulu coconut, the Holy Grail of Carnival, into Will's waiting hands.

"THANKS, LEON!" Will cried as he saluted him.

Anderson smiled wildly, his white teeth standing out from his make-up. "PARTY ON, WILLIAM! MARDI GRAS!!" He waved before he began throwing beads again.

Will was soon among his friends again and received a few congratulatory slaps on the back.

"Wow," smiled Jane, "a real Zulu coconut! May I see it?"

Will grinned, giving a wink to Chuck. "I don't see why not." He handed the prized object to the angel. "It's yours."

It took a moment for Will's words to register. Jane, blinking, looked up in shock. "Mine? You're giving this to me?"

Will attempted to keep a serous expression. "We promised your sister we'd show you a good time, Nurse Boudreaux. I hope we gave satisfaction." However, his true demeanor was betrayed by the gleam in his eye.

Jane gave a most un-Jane-like squeal and kissed Chuck. She then recalled who gave her the coconut and gave Will a kiss, too - a much more sedate one. "Thank you, Will! I…I don't know what to say!"

Will rubbed his cheek. "I think you've just said it - don't you think so, Chuck?"

Chuck just smiled stupidly while Jane, realizing what she had done, blushed prettily.

Emma glanced at George. "Am I good or what?" she demanded.

"You win, Em."

~*~*~

The highlight of Mardi Gras day is the ride of Rex. Following the Captain of the Rex Organization, the King of Carnival acknowledged his enthusiastic subjects from his famous moving throne, waving his scepter. Rex never throws - he leaves that to the two pages that ride with him. The famous floats of Rex followed: the Boeuf Gras, the Royal Barge, the Royal Bandwagon, the Calliope, the Streetcar Named Desire, and the large number of floats that described that year's theme.

John Waguespack was on his best behavior, standing next to Mari and helping her catch throws. And he was enjoying Mari's costume.

"The day turned out pretty good, huh?" he shouted in her ear. "The rain is still holding off."

Mari was talking to him about one of the bands when John's cell phone rang. "Excuse me a sec, babe." John moved off to the far side of the neutral ground. "Greg?"

"Yeah. What time does everything get started again?"

"The party at the AI House starts after the truck parades, but it won't get really cranked up 'til eight."

"Right."

John glanced around. "You got the stuff?"

"Sure - don't worry 'bout it. Got it covered. I should be there about ten. Be cool, JW."

"I am cool."

"Sure you are. Whatever you say."

"I owe you for this, man."

"Hey - anything for my main man. Later."

John pocketed the cell phone. When he returned to Mari, she asked, "Who was that?"

"Greg - checking on when the party at the house gets started."

"He ought to be out here."

"Not his thing, babe."

"But he's missing out on all the fun!"

John shrugged.

"I don't know why you hang out with him - he's so gloomy."

John chuckled. "Greg's the kind of guy that brings joy wherever he goes."

"Yeah, right."

"You'll see."

~*~*~

There were hordes of media attending the Mamou Courir de Mardi Gras, and Lizzy found herself sitting in one of the large tents next to a long-haired young man sporting a goatee. "Hi, I'm Lizzy Boudreaux." She extended her hand.

"Hello. My name is Kurt Wanger," he said in a slight German accent - the W came out like a V.

"Where're you from, Kurt?"

"From Berlin. I write freelance for newspapers there."

"Have you been to America before?"

"Yes, but not to Louisiana." He smiled. "Is very crazy, is it not?"

"Yes it is! Are you enjoying yourself?"

"Yes! Food, music - all very good. Beer - not so good." He held up a Coors.

Lizzy laughed. "You ought to know about that. So what do you think about all this?"

Kurt looked around. "We have events in Germany that the whole town attends, special festivals. But not like this. Riding horses, gathering food from farmers. Chasing chickens," he laughed. "But it makes little sense to me. Why? Why do this? But I have an idea, now. The people were very poor long ago, yes?"

"Yes, that's true."

"And these French people received much prejudice from the English, yes? So this is reenacting a time long ago when the people hid their identities and stole food from the landlords to feed their villages. A protest against the oligarchy, I think."

Lizzy was agog. "A protest against the oligarchy? What are you talking about? It's just a tradition - like Halloween. You know, trick-or-treating?"

"You mean when American children dress up in costumes to extort candies from their neighbors?"

Lizzy shook her head. "That's not quite accurate. Look - have you ever participated in a scavenger hunt?"

"I have heard of this, yes."

She waved her hand at the costumed riders. "That's what this is. They've gathered food for a communal meal - a big pot of gumbo. Everybody's invited, including the people who provided the food. Don't you know that the capitaines get permission before stepping onto private property? Everybody's in on it."

"I knew this…but…"

Lizzy cut him off. "But you don't get it."

Kurt grinned. "It is difficult."

She sighed. "Do you speak French?"

"I have a little French."

She indicated the dancers. "Listen to them. Listen to the words of the song the band is playing. Do you understand it?"

Kurt narrowed his eyes in concentration. "It…it is hard. I do not understand many of the words."

"It's Cajun French. It's a dialect of French - corrupted over time. You have to understand, we're not French, if what you mean by that is that we have a loyalty to Paris and France and all things French. We're Cajuns - the descendants of the French Acadians originally from Normandy and Brittney who were forced out of Eastern Canada two hundred years ago. We're proud of our French heritage, but that's as far as it goes. We didn't return to France, because France didn't want us! Most of the Acadians ended up here, and here we formed our own heritage. Our own food and our own music. Our own view of life, as well."

She looked at the dancers moving about the floor. "They look happy, don't they? But the words to the song are sad. Most Cajun music is depressing ballads about lost loves, unfaithful spouses, and hard luck."

"Like American country music," suggested Kurt.

Lizzy laughed. "Right. But Cajuns aren't sad. We're not cynics or stoics. We're a basically happy people. But we aren't stupid. Our joie de vie is real. We say laissez les le bon ton roule - let the good times roll - because tomorrow we may die. All those people out on the dance floor know that - that a storm could come and wipe out all they own. That sickness may strike their families. That the car could break down. That the bank loan may not come through. So what! Enjoy today! Enjoy the now! You're here, your loved ones are here - what could be better?

"People say that Cajuns are insular, closed, guarded. That's true, but not for the reasons you think. Family is all-important to us. Family is EVERYTHING. Look around at the tables. All those groups are people related to each other. We all have our friends, but we hang out with our family. Marriage between distant cousins is expected. Makes the holidays easier - you don't have to go to more than one Thanksgiving dinner."

She gave the German writer a look. "And before you say anything, just know that marriage between first cousins is illegal in Louisiana - unlike other states, say…New York," she finished with a grin.

~*~*~

After Rex was the democratic expression of Mardi Gras in the Big Easy - the Elks Orleans and Crescent City Truck Parades. Huge tractor-trailers - three hundred or more - made their way down St. Charles Avenue, the flat-bed trailers towing behind made up like floats. There was a competition of sorts before the parade, and the winners were placed at the beginning. Those trucks were as elaborate as any super-krewe.

Most, however, were definitely of the back-yard variety, which only added to their charm. Families and friends built them and rode in them. Small children tossed beads to teenagers and senior citizens as the trucks rolled ponderously under the oaks. Air horns made their own unique music. It was the mark of the true die-hard to watch each and every one of them.

It would be mid-afternoon before the last truck passed by and the avenue belonged to the street-cleaning vehicles. A much-diminished group of revealers made their way to the Weinberg house. Mari had returned to her dorm, so besides the Weinbergs, only William, Chuck and George joined Jane in the living room.

"Emma, I'm going upstairs to change and pack," Jane told her host. "I'll be down in a few minutes. Are you going to the party at the AI House?"

"No, I don't think so. But you go ahead."

"Okay, I'll take my own car, then. Be right back!" The now-slightly bedraggled angel made her way upstairs.

"You know, I'm gonna change too," announced Emma. "Papa, can I trust you to entertain these fine gents in the meantime?"

"I think I can handle that, Princess."

"Oh, you can handle it. I just want you to behave yourself." With a firm look, she followed Jane out of the room.

"Man, I'm beat," complained George.

"Can't take it anymore, old man?" asked Chuck. "Oh - sorry, Mr. Weinberg!"

Abe eyed the sandy-haired senior. "Your day is coming, young man, just wait."

"Abe, that's enough. He's teasing, Chuck."

"'Course I am. Like a strong young man like Chuck there can't take a little teasing." He leaned close. "I am teasing, you know."

"Thank you, sir. Thank you for your hospitality."

Abe accepted the thanks with good grace. I might have been a little hard on Bingley, here. He's a good sort. Emma could've done worse. He looked at George. Or better. He smiled.

~*~*~

Buford followed Carrie back to Baton Rouge along I-10. They took the exit to her subdivision and drove on the frontage road. When she parked on the shoulder just before the entrance to the County Club of Louisiana, he pulled in behind her. Carried lowered her window as he walked up.

"Thank you for a lovely weekend, John," she told him as he leaned on the car.

Buford wasn't surprised that she wanted to take her leave of him here - they had talked of many things on Monday, including Carrie's complicated relationship with her mother. "Dinner on Saturday - I'll call."

She nodded as they kissed. "Just let me know where to meet you."

"Okay. Any preferences?"

"I can't think right now, John."

"I'm sorry."

"Don't be." Impulsively she added, "Kiss me." He did, and it was more than the sweet peck the first one was. "John, I'm scared."

He smiled, but his expression was earnest. "Don't be, Carrie - just trust me." His smile widened. "Besides, you've got no choice. You're doomed. So get the 'deer-in-the-headlights' look off your face."

"How?" she demanded. "How do you know?"

"Because…I'm doomed, too." Another kiss - a quick one - and he returned to his car. With a bit of gravel flying and a toot on the horn, he pulled his Mustang back onto the frontage road towards the nearby Interstate. Carrie watched him until he was out of sight.

A few minutes later, Carrie had parked her Sentra in her driveway and went into the house through the garage door. Her mother was on the couch in the great room. "Carrie, is that you?"

"Yeah, Mom, I'm back."

Catherine Bingley rose and kissed her only daughter. "And did you have a nice time?"

Carrie smiled to herself. "I did, Mom."

"Oh, good. I take it that William Darcy was there. Any movement on that front?"

"It's the same, Mom - no change."

The Widow Bingley frowned. "Carrie, I'm not one to tell you how to run your life, but for the life of me, I don't understand why you are so hesitant in securing that Darcy boy. I know he's Chuck's best friend and all that, but he won't be available forever. You have to exert yourself if you want to get him…" She continued for some time along this vein, and Carrie, with years of experience, knew the best way to deal with it was to stand and pretend to listen.

Finally, after exhausting the subject, Catherine spoke of her son. "How is Chuck, dear?"

It took Carrie a moment to realize that her mother had changed the topic of her inquisition. "He's fine, Mom."

"Is he happy, or is he still moping over that Weinberg girl?"

Carrie thought back to her last sight of her brother, laughing with Jane Boudreaux on his shoulders crying out for beads. "He's good, Mom. I think he's over Emma."

"Oh, good. That was just a bad situation waiting for him, Carrie. I know it's fashionable to be tolerant and all that, but mark my words, mixed marriages never work, especially between our kind and Jews."

Carrie was almost temped to ask what "our kind" was, but held her tongue, knowing it would just lead to an argument. Carrie had not approved of the relationship between Chuck and Emma, but not for the crude reasons her mother had. She just didn't think they were right enough for each other to withstand Catherine Bingley's disapproval.

Mrs. Bingley was still holding court about interracial and inter-religious marriages when Carrie's endurance for her mother's hypocrisy ran out. "Mom, excuse me, but I'm awfully tired. I'm going to lie down for a while."

Thus excused, Carrie and her suitcase were soon in her bedroom. She lay down on her bed, hugging a pillow. Her mother's ranting had dredged up her most dreadful memory.

It was mid-morning of a winter's day during her freshman year in high school. She had gotten sick to her stomach and had gone to the nurse's office, but there was no answer at home. Her father was on the road, as usual, so he was out of pocket. Chuck got permission to drive his sister home and return. As they lived on a corner lot in their modest neighborhood, Chuck dropped off his sister at the corner and hurried back to school. The street was deserted, save for a Buick parked across the street from their three-bedroom two-story house.

Carrie was puzzled - the open garage door clearly showed her mother's car. Yet, the front door was locked. Sighing, Carrie dug her key out of her purse and let herself in. Once in the hallway, Carrie called for her mother, announcing herself. She pulled off her coat and placed her book bag in the dining room, her usual place to do homework, and was about to go in search for her mother when she heard a door slam. Catherine Bingley dashed down the stairs in a bathrobe, hair in disarray, calling out for Carrie.

Carrie explained she had come home sick from school, and said Chuck had to drive as there was no answer at home. Mrs. Bingley told her that she had laid down for a nap and had not heard the phone. Fully apologetic, she escorted her daughter to her room and instructed her to lie quietly and rest. She would check on her soon. She gave her a kiss and closed the door.

Carrie got a glass of water from the Jack-and-Jill bathroom she shared with Chuck and sat down on her bed, drinking it. Her room was directly over the front door, so she heard it close a minute later. She would never know why she felt compelled to stand up and look out her front window. She observed a man she had never seen before walk quickly across the front lawn and across the street, climb into the Buick and take off down the road.

Carrie stood stock-still as the implications of what she had just seen became apparent. She may have been just fourteen, but she knew about such things - she knew what this meant.

Carrie barely made it to the bathroom before throwing up the remains of her breakfast into the toilet.

Carrie gripped the pillow tightly to her chest as she tried to drive the images from long ago out of her mind. She had told no one of what she saw. Less than a month later, her world was turned upside down again when her father was killed. Carrie had to be the strong one, as Chuck was shocked into numbness and her mother fell to pieces. It was on Carrie's shoulder that Catherine cried. For three days, Carrie practically carried her mother through the funeral procedures. Chuck was useless - he could barely function himself.

Catherine soon recovered and sued everybody in sight. She quit her job and moved the family into their present house with the settlement money. Carrie never saw the stranger again - it would be over a year before her mother would date, and then only sporadically. Doctors, lawyers, businessmen, but never that man. Her mother never remarried nor had a steady boyfriend. It was as if, with the house, Catherine Bingley got all she had ever desired.

Carrie became her mother's confidante, very much against Carrie's wishes. It just wasn't right to hear the things Catherine shared with her. She never talked about her late husband, not directly, but…enough was suggested to make Carrie very uncomfortable. A workaholic - distant - unable to fulfill a spouse's needs; nothing blatant, just implied. Her father was dead. Did her mother have to, even slightly and obliquely, put him down?

Tears flowed down Carrie's face as she considered her warring emotions about her mother. How is it possible to love and loathe someone at the same time?

Carrie got out of bed and retrieved her purse. Pulling her cell phone and a business card out of it, she dialed a number.

"John? It's Carrie."

"Hey, pretty lady! I was just thinking about you. What's up?"

"Nothing." I just had an irresistible urge to hear your voice. "Are you home yet?"

"Almost - I've got a few blocks to go."

"I…I want to thank you again for the weekend, and…and I'm looking forward to Saturday."

There was a sight pause. "Thank you, Carrie. I can't wait to see you." Carrie felt a chill run through her as she picked up the desire in his voice. "Decide where you want to go yet?"

"Any place is fine."

"Japanese?"

"Oh, John, I could just die for some sushi."

"That's my girl. I'll make the reservations and call you later."

"Okay. Call me on the cell phone, all right?"

"Right - got it. 'Til later, babe."

"Bye, Johnny." As she hung up, she smiled at herself. This must be serious - I'm giving him nicknames, now.


© 2007 Jack Caldwell

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