Chapter 30
October 2004

Guest in the House wasn't just a bad play. It was an exceedingly awful piece of theatre. The very dated plot involved the neurotic cousin of a housewife happily married to a painter. This disturbed hypochondriac named Evelyn, who on the outside appeared so virginal that sugar wouldn't melt in her mouth, actually wanted the painter for herself and tried to break up his marriage and alienate their young daughter. When it became apparent that the painter's marriage was too strong for Evelyn, she set her sights on the painter's innocent brother. The wife, knowing that her cousin suffered from ornithophobia - a fear of birds - solved the problem by releasing her canary, which frightened Evelyn into such a state that she had a fatal heart attack. Fatal Attraction made more sense than this dreck - not melodramatic enough to be funny or scary enough to be enjoyable.

Why would a perfectly good community theater produce this play?

Reginald de Courcy thought he had the answer. He changed the setting of the play to some period of time in the future, after "some enormous catastrophe," when sexual mores would be similar to that of the Victorian era. The bird became a robot parrot. Think Wuthering Heights with laser beams.

Emma Katz didn't care that the play was terrible. De Courcy thought it was genius, the actors were having fun, and she was able to get out of the house. There wasn't a whole lot for her to do as stage manager, as de Courcy was running around everywhere backstage. The lighting technician had threatened to quit if the director stepped into the light booth again - it seemed he almost blew up the control board.

So Emma spent a great deal of time sitting backstage near the Green Room with the actors. They were interesting people, especially Frank Church. His part - the impressionable brother, Dan Proctor - only appeared at the beginning and end of the play, so he didn't have much to do. He usually found a place near Emma, and the two had fun laughing over de Courcy's latest foible.

The show ran for two weekends. On the last Thursday night of the run, the two were sitting together as usual.

"Two more performances," sighed Frank.

"Last one for me," Emma remarked. "You're on your own tomorrow and Saturday."

"You are coming to the wrap party, right?"

Emma shook her head. "I wish I could, but my husband's family is coming in."

"Too bad." They sat in silence, listening to the dialog on stage. "How come you're not on stage?"

"I can't act." Her hands stroked her jeans; like her top, it was black.

He leaned over. "You'd make a better model than Julia." The girl playing Miriam, the nude model, spent the entire play in a bathrobe.

"Frank!" she pretended to be affronted, but secretly Emma was flattered.

"Just kidding," he said. "But I am sorry that we don't have a better play for your set. Maybe next time?"

"I…I don't know. I hate to leave my father all alone so much."

"Aww, c'mon, Em, we can't lose you now! The theater needs you!"

Emma was flustered. "I'll think about it."

He leaned over. "I'm thinking about directing, myself."

"Really? What play?"

"I'd like to do Same Time Next Year."

"Oh." It was a play about long-time lovers, who only got together once a year, throughout their marriages to other people.

"I'd like you to design the set. Maybe even be in it."

"Frank, I said I don't act."

"I think you can - if you have the right director." He looked deeply into her eyes.

"I…I don't know."

"Emma, I know I can do it. I know I can get the passion out of you…for the stage."

Emma looked at him.

Suddenly, they were interrupted. "Emma!" de Courcy hissed. "I need your help!"

She shrugged at Frank. "Duty calls. Later."

Frank forestalled her. "Let's have coffee soon. Talk about it."

Emma hesitated. "All right." She got up to see what problem the director had gotten himself into, Frank's eyes following her as she walked away.

It would be an understatement to say that Frank Church liked women. He adored women. It was his goal in life to experience them all. Women came in so many agreeable shapes, sizes, colors, and textures. He just had to sample them all - or at least as many as he could. The only problem was that many of them couldn't understand his need to experience all that womanhood could provide. They wanted commitment. Ugh, what an ugly term! The last thing Frank wanted was to settle into a boring life of monogamy.

Since reaching puberty, Frank had spent his life pursuing and bedding women. As a salesman, he had the perfect occupation for his avocation. He quickly learned that single secretaries were not good hunting. Oh, they were as amenable to seduction as the next girl, but when lust turned to love, it could be damn sticky. Nothing could derail a sales career faster than a pissed-off secretary, as they were often the gatekeeper to the customer's decision maker.

Married women - bored, ignored, frustrated, lovelorn wives and mothers with workaholic husbands - were the ticket. The trouble was where to find them. Married secretaries were not much better than single ones. Dipping in the customers' pool was out. It was career suicide to go after co-workers. That left females not associated with his job.

Bars were happy hunting grounds, except for two things. One: Women who hang out in bars do so because they like bars - and drinking. Contrary to popular belief, a drunk woman is a lousy lay. And two: Bars were very public. Someone was sure to see you. More often than not, husbands would be notified - a bad scene all around.

Therefore, the best places to hunt were places husbands tended to avoid: health clubs, grocery stores, and shopping malls. A couple of years ago Frank found the best spots - artistic places, such as art classes and community theater. He could always find a ready supply of ladies who fit his bill: lonely, unappreciated, and possessed of a slightly adventurous spirit. His affairs would last the run of the class or production, his skill and practice keeping his paramours enthralled until they parted, the ladies with a secret to hold in their hearts.

Usually, Frank chose mothers. They were the least likely to become romantically involved. Not that it didn't happen. But when faced with the choice of latching onto Frank or keeping their children, the kids won every time. A bitter farewell and a tear-stained kiss, and he was free again.

It must be understood that Frank didn't see himself as a seducer or home-wrecker. In his mind, he was providing a service to neglected ladies. And the last thing he wanted was to break-up a marriage - he certainly didn't want some divorcée trying to hogtie him into a committed relationship with her brats and baggage.

Emma fit all his particulars, except that she had no children. But her dedication to her father- she would never leave him - made up for that as did her unbelievable body. Frank had always been a breast man. That Daddy lived at home could be an obstacle. Frank preferred to have his assignations in the lady's house - the less they knew about him, the harder it would be for them to track him down in case it went bad. But Frank was willing to make an exception in Emma's case, if it meant he would have the enjoyment of her abundant charms.

Frank's compliments and conversation were making progress, he could see. He would call her the next week for coffee and turn on the charm. He smiled. She was ripe for the taking. As long as her stupid husband kept doing whatever stupid thing he was doing, it was only a matter of time before the lovely Mrs. Katz was sharing his bed.

~*~*~

Special Agent David Baugham of the New Orleans FBI office sat down with the chief forensics investigator, Kathy Taylor, reviewing the report of the Naquin murder, and the CSI-type was excited.

"And this guy thought he was clever, using gloves," she was saying, "but we thought about it. What if it wasn't a Colombian smugger who offed Naquin, as it appears? What if Pyke wasn't alone? Did he meet Pyke somewhere and ride down to Port Fouchon with the Bayliner in tow? He wouldn't be wearing gloves then. What would he touch?

"So, I had my people go over the passenger side of Pyke's truck thoroughly. Not too many clear prints, but we found a couple of partials."

Baugham thought the scientist's grin was excessive for a couple of partials. "And…?" he prompted.

The grin turned into a wide smile. "And…a full set on a plastic Mountain Dew bottle on the passenger floorboard. We got a hit on IAFIS." She slid over the report and Baugham picked it up.

"Wickham, Gregory Allen. A/K/A G-Daddy. Drug dealer. That name…" Baugham searched through his file. "Yeah, here it is. Greg Wickham - on the list of known associates of Pyke." He looked at the investigator. "Anything else?"

Taylor shrugged. "No. No other useable prints in the truck. Nothing on the trailer left at Fouchon, or on the murder weapon found in Naquin's car. The only thing we could get off what was left of the Bayliner cabin cruiser were the dental impressions from the victims."

"What about the cigarette boat?"

"Lots of unknown prints - the Colombians, we think. We're waiting for a report from Interpol. But, the prints on the wheel and that anti-thief device were smeared, like in the truck."

"Gloves again?"

"I'd say so. Wouldn't hold up in court, though."

Baugham sat back, considering. "I like Wickham for this. It makes sense." He leaned forward and ticked off the points with his fingers. "Naquin's blown away execution-style. Looks like the Colombians got mad at him and blew him away. But why were they mad at him? How did they know his schedule? Why use Pyke's truck, and why abandon it ten miles from the nearest port? And how do they get out of the country if they sent their boat into the Gulf without them? No, it looks more and more like a set-up."

"What if they were picked up by another boat?" asked Taylor.

"Still doesn't explain the cigarette boat." Baugham sat back. "Our boy might have gotten away with it if he had sunk the cigarette boat instead of sending it unmanned into the Gulf. That little bit of theater is gonna hang him."

"How do you think it went down?"

"Pyke and Mr. Unknown - could be Wickham, here - go to meet their connection offshore of Port Fouchon. Something happens and everybody's dead, except Unknown. He gets the bright idea to go into business for himself, maybe. Whatever it is, he knows the Colombians don't take kindly to having their people killed. So he tries to confuse everybody and makes it look like one of the Colombians ripped everybody off."

"That's why he killed Naquin," said Taylor. "He would have known if Pyke had an accomplice."

"Yeah. I'll bet you Unknown had a car parked somewhere near the bar in Golden Meadow where he abandoned Pyke's truck." Baugham looked at Wickham's rap sheet. "One problem, though. Wickham's record is strictly non-violent."

"That's only his arrest and conviction record. Maybe there're some things the police know that's not in there?"

Baugham looked at the investigator with affection. "Who do you think you are - a special agent? Of course there's more stuff. There's always more stuff. I'm going to have to make an appointment with…" he scanned the report, "…Lt. Richard Fitzwilliam of the NOPD."

~*~*~

Cafeteria lasagna is generally edible, sometimes tasty, and seldom delicious. Chris Breaux could hardly tell, for his attention was solely on the beautiful woman sharing lunch with him, talking a mile a minute.

"…and so Mom was looking at this magazine at the hairdressers and saw these bridesmaid dresses. So she calls me right up - while she's having her hair colored - telling me to go find this magazine. Hello! It's like six months old! So you know what she tells me to do? Go to the library! Can you believe that?"

Chris grinned stupidly. "Believe what?"

Marianne frowned. "Have you heard a single thing I've said?"

"No."

Her eyes narrowed. "I would get mad at you, but since you look so adorable, I'll let it go - this time." She took a bite out of the collection of greens she selected from her employer's cafeteria salad bar. "So, what's up with the rest of your day?"

"No appointments, just my rounds. Friday's gonna be a real ball-buster, though."

Marianne looked up. "Are we still going to Lafayette to meet with the priest?"

He reached over for his fiancée's left hand and gave the engagement ring a kiss. "Right after my last appointment. Mom's already making the shrimp etouffee."

"Mmm…thanks for telling me that, Cajun-man. Now I'm really gonna enjoy my salad." She stuck out her tongue.

"Keep that up, and I won't tell you about our sleeping arrangements."

Mari raised her eyebrows. "Chris, I am sharing a room with you on this trip, aren't I?"

"What - and shock my parents?" Chris knew his mother had already redecorated his old room, to add a more feminine flair, but he decided to keep that a surprise.

"Chris!"

He laughed. "Don't worry, baby, you'll be bunking with me."

She smiled.

"But - that's it. We are meeting with the priest, after all."

"Oh, poo!"

A half-hour later, the two shared a kiss by the bank of elevators and went in opposite directions. It was a glorious October day, rare for Louisiana - temperatures in the sixties with almost no humidity. Chris decided on a cup of coffee before he walked back to the LSU Medical Center, so he crossed Poydras Street and made his way to a little French coffee shop on St. Charles across from Lafayette Square near the Federal Court Building. He walked in, intending to grab a coffee to go, when his eyes fell on a familiar figure.

"Emma?"

His friend whirled around at the sound of his voice, her expertly made-up face flushed. She was in a dark green cashmere sweater set, the blouse low-cut, and stonewashed jeans. It was only then Chris noticed the man in the suit sitting across the small table from her. Chris moved over to them, curious as to the horrified expression on Emma's face.

Emma leapt to her feet. "Chris! How wonderful to see you! You're downtown today?"

Chris nodded. "Just had lunch with Mari." He kissed Emma's cheek, but his eyes were on the stranger. The man's face had gone pale when he greeted them, but now was blushing red. What the hell is going on?

"Umm…let me introduce my friend." She turned to the other man. "This is Frank Church. He's a salesman from…from…"

Frank stuck out his hand. "Arc Tools."

"Yes," Emma said weakly. "Frank, this is Dr. Chris Breaux."

"Nice to meet you, Frank," Chris said with false sincerity. He was starting to get a clue.

"Frank and I do community theater together," Emma explained.

Frank jumped in. "Yes! We were meeting about our next production, to see if she'll design the sets. Maybe even act."

Chris nodded. "I heard you were doing that again, Emma. First time since college?"

"Yes." Her smile was brittle, and she tried to stop wringing her hands.

Frank glanced at his watch. "Well, I've got to go. Got an appointment in a few minutes. Nice to meet you, Chris. Emma, I'll…uhh…get back to you on the design."

"Right." She pointedly shook his hand. "Goodbye, Frank." He gave a fake smile and left the café in a rather hurried fashion.

Emma looked around. "Well, Chris, it was good to see you…"

"Emma."

She looked up and was held in Chris' deep stare.

"How are you?"

"Fine."

Chris nodded. "C'mon, I've got a couple of minutes. Let's sit down and catch up."

"I…I've got to go," she said as she picked up her purse.

"Just a couple of minutes."

Emma reluctantly joined him at the table. "Just a few."

Chris looked at her, considering. "How's George?" Her flush of guilt told him everything he needed to know.

"He's good. We're all good."

"And Abe? How's that working out for you?"

"Chris…I…I don't know what you mean. Abe's fine. He's got a clean bill of health."

Chris glanced out the window. "It's hard having him share your home, though."

She shook her head. "Chris, no - everything's fine."

He turned back to her. "Emma, you know and I know it's not."

"Chris, I don't want to have this conversation."

He leaned back. "That's your prerogative. I can walk right out of here like I never saw anything. But if anybody asks me any questions, I'm going to have to tell them the truth." He paused as Emma blanched. "I saw you having coffee in a downtown café with a male friend from the theater. Anything secret about that?"

Emma looked away. "Nothing. It's perfectly innocent."

"Right." His eyes bore right into her.

"Stop that!" she whispered.

"Stop what?"

"Stop staring at me!"

"You think I'm staring at you, Em?" His expression softened as his heart broke.

"Please just leave me alone."

"Is that what you really want?" He took her hand. "I'm your friend. I'm trying to help. Just hear me out." He lowered his voice. "Emma, you can blow me off or tell me to get lost, but I think you're in trouble here. I can help, but you've got to be honest with me."

Emma tried to look up, to answer him, but her voice broke. She covered her face with her hands as she cried.

Chris patted her hand. "Em, Em, I'm here for you. Stay right here - I'll be back." He rose and walked over to the counter.

"What's wrong with the lady?" the barista asked.

"She got some bad news. Give me a large dark roast and a glass of water, please?" A minute later, he had returned to the table. By then, Emma had gotten her tears under control. She gratefully drank the water as Chris sipped his coffee. "Better?" he asked.

She nodded.

"Look, do you want to talk about it?"

Emma bit her lip. "I'm so ashamed."

Chris' gut twisted, but he didn't change his open expression. "I'll listen. As a professional. No judgment. Just between us."

She looked at the table. "What about George?"

"It's different now. Doctor-patient confidentially."

She closed her eyes. "All right." Her voice was very small.

Chris looked around. "It's a nice day. What say we grab a bench in the park and talk?"

She nodded, glad that someone was taking the lead. Chris tossed a dollar tip on the table and walked his friend out of the café and across the street. Sitting her down on a shady park bench, he called his office, canceling his rounds.

"You won't get into trouble staying here with me?" Emma asked.

"It's cool - they'll get somebody to cover. Told 'em it was an emergency." He leaned back. "So."

"So."

"How are things? Really?"

Emma drew a deep breath and told him.

~*~*~

Chris, his elbows on his knees, watched the birds dance about the grass of Lafayette Square with envy. Look at them - no worries, no cares. Just looking for the next worm or crumb. There's something to be said for that.

The lady beside him was drying her eyes. "You haven't said anything."

He glanced at her. "I didn't want to interrupt you. How do you feel?"

"Lousy."

Chris nodded. "Anything else?"

Emma sighed. "Relieved, actually."

"Mmm-hmm."

"You knew that, didn't you?"

"It can be a great release, talking about things." He leaned back. "I went to school and paid thousands of dollars to learn that. Oh, and the ability to prescribe drugs."

She gave a snort. "Got any for me? I could use something right now."

Chris laughed. "No, nothing pharmaceutical. But, I do have some advice." He sobered up. "Want to hear it?"

She nodded.

"You need to talk to somebody. Somebody who can help you through all this."

"I thought you…"

"No, Em, not me. I'm too close." He smiled. "I told you - I'm your friend."

"Who, then?"

"I can give you a couple of names of some good therapists, or you could go see your rabbi."

She nodded. "Let me think about it."

"Okay. But, Em, I gotta tell you that no matter how strong you are, you need help. This thing is breaking your back. Look, it's like your car. When it's running right, all you need to do is to fill the tank and check the oil. But, eventually, something's gonna break, and it's got to go to a mechanic."

She thought about that. "Not everybody's head breaks, though."

"Not everybody's transmission goes, either. Wishing it was your tires won't fix it, will it?"

Emma paused. "No," she admitted.

"Besides, it's not your head, Emma. It's your soul. You've had a lot thrown on you. You just need somebody to help you."

"Help me learn how to cope?"

"Yes - and learn how to get rid of some of the burden you're carrying."

She looked at him, for the first time hope showing on her face.

"You've been doing too much, Emma. It's time you let go of some of that."

"But…but Papa…George…"

He patted her shoulder. "Talking to someone is only a first step, Em. There are going to be more and by other people."

"Other people?"

"Yes. Abe, if he's willing. Definitely George."

She shook her head. "Papa won't do anything. George - I don't know."

"You may have to help."

She turned to him. "How can I help George? I can't talk to him about this!"

"Do you love him? Do you want to stay married to him?"

"Of course!" she said with passion. It suddenly occurred to her - she did want to stay married to George - very much.

"Then you'll have to help him, Em. But you can't do that right now. You have to help yourself first."

She nodded. "I understand." She thought it over. "I'll go talk to the rabbi."

Chris released a breath. "Good. If you have any questions, call me. Anytime - day or night."

"Day or night?" Her dull eyes showed a ghost of a twinkle. "You sure Mari would approve of that?"

He laughed again. "Weeelll…maybe not too late. C'mon, it's time you got home, and I've got to get back to work." The couple rose, and Chris walked Emma to her car.

She gave him a kiss on the cheek before she got into the Volvo. "Thank you, Chris, for everything. For…not judging me. For understanding."

"Call me if you need me."

She nodded, closed her door, and drove off. Chris began walking the ten blocks back to the LSU Medical Center, the bounce in his step noticeably missing. Yes, talking things out with a therapist can be a relieving experience. It can lift crushing burdens from the subject's shoulders.

The only trouble was sometimes it got transferred to the therapist. There was a good reason not to treat your friends. Sometimes you learn stuff you wish you hadn't. And then you have to get it out of your head, somehow.

An occupational hazard of his profession was the difficulty practitioners experienced handling their portion of the grief, delusions, and anger pulled or poured out of their subjects. Some turned to alcohol and other mind-numbing substances in an effort to drown the burden of knowing. Others wrote, painted, or exercised extensively.

As Chris Breaux began his abbreviated rounds in the psych ward of LSU's Charity Hospital, he was already planning his own treatment for management of too much information.

~*~*~

The house was quiet when Emma returned home. Apparently, Abe was taking a nap. She took immediate advantage of the situation and sought the sanctuary of her bedroom.

Emma lay on the bed, a pillow clutched to her midsection, fighting the shame that threatened to overwhelm her. She tried to tell herself that her meeting with Frank that day was innocent - just some harmless flirtation. But deep inside, she felt that she was fooling herself. She had picked downtown, rather than Lakeview, because the chances of anyone she knew seeing her there was low. She was coming to the realization that she had no idea where today's meeting would have led, but it couldn't have been good.

If Chris hadn't come across us, would I have…? She couldn't finish the thought.

Glancing at her bedside table, her eyes fell on a photo from her wedding day. She and George looked so happy. What had happened? Could she ever feel that way again?

She sat up and reached inside a drawer in her nightstand for a telephone book. A minute later, she was dialing.

"Hello. May I speak to Rabbi Tuckmann? Thank you, I'll hold."

~*~*~

George grinned as he pulled his car into the driveway. Two procedures had been postponed, so he took the opportunity to come home and surprise Emma. Walking through the house, though, he saw no sign of her.

"Abe, where's Emma?" he asked his father-in-law.

The older man peered at him from his recliner. "Don't know. Haven't seen her all day."

"She leave?" George was confused, as his wife's Volvo was in the garage.

"Yeah, around lunch. I didn't see her come back, but I took a nap earlier. Maybe she's in her bedroom."

George turned. "Okay."

"Ask her about dinner, huh?" Abe told his son-in-law's retreating back.

George opened the door to the sight of his wife asleep on the bed, the comforter pulled about her. He silently closed the door and quietly moved to her side of the bed. He sat down and stroked her cheek. Emma awoke with a start, her eyes wide in surprise.

"Hey," George said. "I got off early."

"Oh," was all she could manage.

"I thought we could go out to dinner somewhere."

"Oh."

George started to get a little apprehensive. He thought she was tired. Was she ill? "Em, honey, are you all right?"

The undisguised concern in George's voice set off Emma's waterworks. Sitting up quickly, she embraced her husband and hid her tears. "I will be. I will be."

~*~*~

Marianne was just turning on the oven in her kitchen when the doorbell rang. She quickly walked to the door, and before unlocking the deadbolt, peered through the peephole.

"Chris!" She hastily opened the door. "Come in, sweetie. I didn't know you were coming by."

"Hi. I'm not bothering you, am I?"

"Of course not! I was just getting dinner ready."

"Oh. I'm sorry…"

"Chris, get your butt in here!" She escorted her fiancé to the sofa in the living room and sat down next to him. "I'm glad to see you, sugar, but why didn't you call?"

"Sorry, I guess my brain's not working."

She scooted over. "Honey, what's wrong?"

He sighed. There was so much he wanted to unload, but couldn't - not without violating the confidentially of his patients. "Work. It was bad today."

Mari took her lover in her arms. "Oh, baby, I'm sorry. What can I do to make it better?"

Chris closed his eyes and relaxed in her embrace. "You're doing it."

She kissed his temple. "Then you stay right here."

"What about your dinner?"

"I was just getting ready to heat up a pizza. Want some?"

"Maybe later."

The two sat in silence, Mari slowly caressing Chris' scalp. Finally, Chris spoke again.

"Mari, promise me something. If I ever do something stupid like working too long, or ignoring you, or taking you for granted, would you take a two-by-four to my thick skull?"

Marianne knew Chris was being serious. "Absolutely."

"Thank you."


© 2007 Jack Caldwell

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