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Beer and wort color traditionally have been measured visually, and early on the Lovibond (degL) scale was adopted as a standard. This scale consists of a well-defined set of color samples that are used for comparison. A visual match with a beer or wort sample defines the degL of the sample.

In 1958, the American Society of Brewing Chemists proposed a more scientific means of measuring color using wavelength and light absorption measurements; the procedure was called the Standard Reference Method (SRM). They proposed a correction factor of 10 so the numbers reported would match up with the Lovibond scale

So now you know what it looks like... how do you make it? Here is are the general color properties of a selection of grains.

Malt Type Color degL
U.S. two-row 1.4 - 1 8
U.S. six-row 1.5 - 1.9
Canadian two-row 1.3 - 1.7
Canadian six-row 1.4 - 1.9
German Pils (two-row) 1.6
German lager (two-row) 1.7
CaraPils 1.3 - 1.8
Wheat malt 1.6 - 1.8
Pale ale 3
Vienna 3 - 5
Light Munich 8 - 11
Dark Munich 18 - 22
Caramel 10 - 120
Chocolate malt 325 - 375
Black 475 - 525
Black barley 500 - 550

As a rule of thumb the color contributed by a malt is equal to its concentration in pounds per gallon times its color rating in degL. For lighter colored beers this rule works reasonably well. For example, 10 pounds of pale malt with color 1.6 degL in five gallons should produce a beer whose color is near

1.6 x 10/5 = 3.2degL.

For darker beers you may experience more erratic results.

Also keep in mind that differences in a number of brewing conditions can lead to substantial color changes in the finished beer, these effects being particularly important for beers at 5 degL or less.

  • Water: As the alkalinity of the water increases, so does the extraction rate of the coloring pigments in malt. The mash pH has the same effect, and increasing pH leads to worts with deeper color.

  • Mash or Steep Time: Color increases with the amount of contact time with the grains. Thus, a prolonged mash (or steep) will produce a deeper-colored beer than a short mash.

  • Kettle Boil Time: Wort color increases with boil time. A fact that is sometimes overlooked is that wort simmering has the same effect. The point is that this will lead to an incomplete hot and cold break, which in turn leaves more coloring elements in the finished wort.

  • Hops: Some color is obtained from hops both in the kettle and in storage containers when post-fermentation hopping is used.

  • Fermentation: The proteinous matter produced during the cold break is full of coloring materials and, hence, removal of these materials will reduce color. It has also been reported that color changes during fermentation vary with yeast strain.

  • Filtration: This can dramatically reduce color. It should be noted that a clear beer will appear to be lighter color than turbid beer.

  • Oxidation: At all stages of brewing, air pickup will deepen beer color. This is as true of hot wort production as it is of bottled beer with head-space air.

Information courtesy of Wrucksterbräu