the asheville asylum
in 1980 hamid zartosht safna emigrated to the hamlet of asheville from iran
and was promptly naturalized by the citizenry. educated in zoology at uppsala,
and in religion and philosophy at cambridge, he was offered the chair of neuropsychiatry
at freiburg. his first research dissertation was entitled "wechsler measurements
of verbal performance deficits in patients with penetrating brain injury suffering
left hemisphere lesions due to misuse of the subarachnoid screw." he became,
to our growing cosmopolitan population, a welcome bastion against further penetration
(as dr murphy put it, and our new mayor) by foreign dravidians. after only three
years he was appointed director of the asylum, a move by the county board of
commissioners that ruffled a few feathers among our staff. he was well liked,
especially by the growing number of retiring professionals. however, his occasional
jests about our indigenous fundamental cosmology did earn him some rebukes by
our numerous preachers. on one christmas eve during a conversation regarding
the conception of jesus, dr safna, innocently taking the role of historical
detective was heard saying, "so he visited mary every night until she finally
said 'oh well, what the fuck.'" personally i don't believe he was referring
to zeus and his many amorous avatars. he's still here albeit only as titular
head of our institute. under his care are jimbo dorr (10), sweeney (62), mort
katz (34), jennifer clapsaddle (20), and barry finkel.
update. on wednesday, october 23, 1986 fitzgerald a. sportrane died of massive trauma to the head during a routine morning shower, according to nurse katrin who had been assigned as his special caregiver. the coroner stated today that he had evidently slipped and fallen, hitting his head on an unusually large brass drain in the custodial showers. he will be cremated at the behest of his family this sunday and his ashes interred on the asheville asylum grounds.
this is Dmoll. we sat in the chapel a while till sweeny finally got the gas lit. nobody from the family came, but murphy, MWF, me, jennifer, daniela, twyla and nurse katrin were there. we invoked by song, god arrived, had a meal- it's good to know that god's got ears and a working olfactory-- the lesser gods got the bones i imagine. nurse katrin was crying especially loud, i guess she knew that she shouldn't have used the fire hose. but i suppose in the great scales of life, saving 2 people outweighs killing 1 person. anyway, it was sad.
dr. ringer, his real name... at least that's what's on his gravestone in the
riverside cemetery. but he had others, each for a business he steered from the
plaza hotel. of his two biggest enterprises, the mary-you-wanna warehouse was
the illegal one and the other was the slaughterhouse. when he up and died everything
came out. it seems that he conducted business under various aliases. claude
and paul barco who nobody ever saw ran the pork and beef activities. the auctions
ran late into the night, some think, too late, like to 3:00 in the morning with
the parking lot filled with old jalopies and spent home blown bottles that you'd
not want to light a match near. i don't know if the good folks in asheville
knew what every schoolboy on a saturday night could see peeking through the
seams of the warped plank siding of the auction pen. he had a big woman he called
madam doing the calling... she was an attraction some say was a leftover from
the portworth carnival. i never had the honor. he'd pass out funny business
cards,
funny ones
that the members of the homemakers club would find in their husbands' billfolds...
and raise cain at wednesday's revivals. but worst of all was that these card
were being collected, specially by the boys in town who'd pass them around during
miss simpson's english class and ask her what this or that word meant. and worst
of all miss simpson more than once complained to principal hawkes that there'd
be a raucous and a fidgeting under the desks and the boys wouldn't come to the
front of the class without carrying a big book in front of them and the girls
would be snickering. but in spite of all that, ringer was on every county and
city committee there was. he was what you'd call respectable. but worst of all
was what came out about the warehouse. ringer claimed that those jagged leafs
were a new kind of tobacco plant that he was experimenting with with a grant
from the north carolina state agricultural association he called mary-you-wanna.
he used to joke that you could smoke it and hogtie someone with the same plant.
but there were some of us who knew what he was doing, some of us may not be
from chicago but we weren't stupid either. and it wasn't right but what could
you do. he was respectable. then one night there was the fire and we all knew
which moon shiners had the belly full of him. zeke, jaybird and the cramer brothers.
i was there that night. the whole town was lit up like a left on skillet and
white smoke was everywhere and when the fire departments from 3 townships and
police and another thousand of us arrived we just stood there in that sweet
white smoke and couldn't do a thing. and for a couple of hours we all thought
that the flames were the most beautiful fireworks we'd ever seen. and then everybody
started getting hungry and people were running home and coming back with mountains
of food and everybody was eating and having a good time. i will never forget
that. anyway. ringer went to miami beach after that and at the waldorf
towers hotel on ocean drive at north street he up and suffocated at the
bottom of a pile of prostitutes. so we all collected these postcards. but we
went on with our living and soon forgot. and that was that. this is sweeny.
Dmoll asked me to write a memberance from way back for our own asheville asylum
gazette.
this is sweeny again and its 1988 and it was Dmoll's birthday yesterday. we
used to celebrate birthdays with balloons but once when sheriff neelys sisters
son had one here and he (the sheriff) brought one hellofa balloon like a weather
balloon that because he couldn't find any helium went ahead and filled it with
propane and anyway since i wasnt there except later to clean up the mess and
was as big as a table, so they were all singing and the it was crammed into
the buirthday room next to the window and twyla started writing phone numbers
on it and i guess was planning to send it up and away as a sorta advertising
sign and being a smoker started so i hear getting too close and then it happened.
everyone i know wondered why the balloon wouldnt float, but it did after twylas
cigarette lit it. it's a wonder that nobody was killed. the fire department
came and took everyone to the hospital with minor burns except for twyla. twyla
whose shiny long black hair was no more because it was completely burnt to a
crisp along with her eyebrows and nurse katrin said when they peeled off her
garments she had on one of those braziers with coiled wires in them even though
god knows she didnt need them and when they got that off there were like coil
burns on her breasts and according to joey who overheard murphy later they were
like 2 tattooed targets that really made her look sexy. but i never saw them
so i don't know and when Dmoll heard that he decided that one there would be
no balloons and two he even wouldnt celebrate his birthday ever again even though
he didnt know when he was born. and thats what i knew then and jennifer is here
to tell you the other story whose past i just told you about the last party
here with balloons. this is jennifer and yes it was Dmolls birthday yesterday
and i saw him last night in penny rochers little garden naked. he told me to
get a camera and take pictures and told me to read about dionysus and the maenads
that he gave me last week. anyway i saw twyla standing on the footpath whirling
her hands like she was pulling strings with Dmoll dancing. she was naked from
the waist up and he from the waist down. and his hair was curled and knotted
and he had long earrings and in about 15 minutes i guess he or word had spread
and a lot of women from ward b started to gather. it was embarrassing because
i think Dmoll wanted to be the center of an orgy and i was embarrassed to see
that he was prepared and pretty eager, but they all just stood there and poor
Dmoll just danced and danced with his face painted white and twyla began to
chuckle. i felt sad for Dmoll because nothing happened and i had to go to bed
and fell asleep reading about dionysus again and the constrained women of athens
who occasionally left their husbands to be with young men every once in a while.
i just felt sad for him.
MWF shouldn't've told anyone about my room or why i go there or what i
do there, because that's private and nobody NOBODY interrupts me when i'm there
and NOBODY ever spells my name without a capital D, nobody period, not murphy,
not safna, not that new admittance, another capitalist whose wife is cheating
on him and he can't run for commissioner cause his son's been arrested and is
in rehab and he blames the pushers and he blames the media and he blames the
workers at his plant and he thinks god's testing him, but he doesn't blame god.
safna and nurse katrin took some blood and pus and i've seen the culture and
it oozes and is black and i've seen this shit before and i know who's to blame
cause i've read about this drench. marx
was right and brecht
was right and if yr going stand between two contemptuous philosophies like christianity
and ethnocentrism then you've gotta choose. and which one are you going to choose.
and i know it's a fool's choice because opposites don't exist because they are
hypothesized post facto...but you waver anyway between the two like a like on
a tightrope, but there is only one choice, and that is NO choice (thank you
sartre), because like marx said if i find that quote DAS SEIN BESTIMMT DAS BEWUSSTSEIN,
NICHT DAS BEWUSSTSEIN DAS SEIN. and i know now that hegel
was wrong because he was sheer clarity and everybody could understand how simple
everything could be and history was clear and cleansing and no guilt, but he
was wrong and schoupenhauer
was right cause he had balls cause he went to berlin university he gave his
courses at the exact same time as that charlatan hegel but nobody listened and
hegel corrupted the young minds of the next generation. CORRUPTION because of
simplicity. and like right now i know what dante meant in the prophecy "to
feel me in the solitude of kings, without the power that makes them bear a crown."
i know what it's like to know the answer and nobody's listening, to stand against
the glare of a sun and hold up the truth high in my fist and everyone can only
see the shadow of it. and i've tried in the kitchen when the supplicants pass
by me to give my own bread and to give my own wine and nobody's listening. and
that's why his wife's probably cheating on his yes dear, no dear and why he
can't run for office because he'd pledged law and order, and wants a private
life and he blames his workers for not pushing product, paying for sweat so
he gives them free coffee and sugar and donuts, anything to make their hearts
beat faster and die sooner so he can hire younger workers and convince himself
that their dependency is his meager and crusted glorification, and their dependency
makes them just more children in his sick family. cause i've seen this all before
and i know the answer but nobody listens. nobody listening. i've seen them coming
and punching the time clock in their befuddled post-industrial ritual era and
it never changes because they never change because they can work at a company
for 20 years and not have grown and so they've reduced themselves to talking
about sex organs and soap operas and trucks and any slight deviation from their
banal workday and this new nut case wants it that way and doesn't understand
why they can't think. and if there were a god then he wouldn't have created
the industrial revolution or the slag heap that is zola's le voreux. but i've
been on the outside too and i sat under a tree and i have seen more than newton
because i could see the through the illusion that my head has created a cushion.
like the ditch running alongside the tracks that i could see as almost like
a seurat painting but vibrating like monet. the atoms knocking and buzzing around,
but i don't have the words. i could see the messenger i could see the atoms
and molecules and energy and i could see reality like condensing molecules to
form what everyone else calls vapor and i could see the tightness of molecules,
the structure like rows of waves but i did not call it iron and i could see
zillions of air molecules and sunlight waving in staccato bursts and knew for
one magnificent instance the duality of radiation and i knew for one magnificent
instance that soon these would disperse and join other atoms and create a thing
that has a name. for that instant i saw the messenger, i saw the messenger and
i knew that my senses only report what's already receding and what i usually
see is not the way it really is out there. i saw the messenger and i saw the
messenger but i don't yet understand the message. not yet but i will. i will
understand the flux that does not produce names. i know i will. i will because
i have seen the messenger.
Dmoll has been in his room for the past week. MWF told me that this last outburst
will probably keep him there until thanksgiving. it was the service they had
for the guy who died on wednesday, and i think it was also that sweeny couldn't
get the gas lit when the gas should of been lit and it's franklin, because it's
getting around the anniversary when he disappeared. i asked MWF if i could take
him his food and he said it was alright if Dmoll opened the slit for me to put
it in. he's only allowed to see katrin, MFW and murphy. nobody else is allowed
into the west wing sub level 1 (see photo, on far left, the lowest level). i
work the third shift and when everything is quiet and only when everything is
quiet we can hear Dmoll writing with that quill pen he made and then scream
and then cry and then repeat that all night long. nobody can understand what
he's saying. the diary he keeps is in a language only he can read. he's even
showed me pages and pages of scribbling he calls the afflica diaries, he says
contains the words of some messenger. who knows. safna, murphy, andrews, katrin
and MWF keep meeting about him, but i don't know what they're saying. when they're
done everybody leaves except MWF who paces and scratches his chin, then paces
some more. i think something is going to happen soon. i'm klaus, been janitor
here for over 20 years and know Dmoll pretty good. you know he even has his
name on a shiny brass plate his door all in capital letters. i know because
i shine it for him every day.
(april, 1996 visi's recollection two years after the asylum fire) when we came
here in 1983 my parents had no money left and our education visas had run out.
safna and regis managed to hide us and they risked breaking the law to finally
get us green cards. my father helped sweeney take care of the grounds and my
mother worked in the kitchen. my sisters and i learned a kind of english i'd
never heard before. it was hard but instructive. we were always being asked
what we did before we came here and try as i might, i could not bring them to
understand. they would just stare in amazement when i told them that laksari
worked from 8 till dark weaving rugs at the looms of ms. nervati when she was
9 years old. or that the other
twin cut and glued bulsa into miniature dining tables and chairs for a dutch
merchant who exported to an american gift company. or that shofawati
who took up the least space would reel the threads together on large spools.
she cried when we left becasue they had told her she would be learning how to
weave the raw silk into "mattes" for european artists. i was the fortunate
one. since everyone else worked i became the house mother. my mother called
them her 3 hands. when my father was a boy he stepped on a stone fish and they
had to amputate his left foot. when he was 20 a group of missionaries paid for
a mechanical ankle and foot.
this
is klaus again. i just got a note from Dmoll and a painting. he slipped it to
me last night. i think it's weird but he wanted me to show it to daniela before
she leaves. he also wrote a message i'm supposed to give MWF: "for the
intellectual to become a true revolutionary he must become one of those whom
he shall lead; be them; live their lives; copulate with them; dare to inflict
their pains on himself; submit to their vocabulary; and in the end know that
one day he must betray them for their own good." i don't know if i should.
november 14, 1987. this is klaus. they found franklin, or what was left of him. not two miles from frank's knob. he only had on his underwear and a sweatshirt from the asylum. daniela's been gone for a while, but writes us. safna got the can but they let him consult, so murphy's acting head of the place. Dmoll's been in his room for 7 or 8 weeks and is still going at it. Dmoll's beginning to get letters from a lot of people. MWF says it's Torrance's book that did it. he's even getting letters from a guy called johann korec in a place called gugging in europe somewhere. another state hospital, says MWF.
klaus here again. for weeks i am smuggling out stuff that Dmoll gives me. and i'm not telling MWF. Dmoll had me weld a box together with clear plastic on the top so someone could see inside, so i went to the shed and used that old stick welder and it didn't look good to me but Dmoll said it would serve him OK. and by god now i know why Dmoll is in his room, and could be there a long time to come. sweeny told me something that i promised on my life i would not even tell MWF, but when you hear this you'll know that he already knows. he already knew before they were sitting on the benches waiting for the fire... because, first, only MFW and me have keys to the shed, and i never opened it. and that's why it took sweeny so long to get it on and smoking. but don't think bad of Dmoll, i know he got his reasons even if he's not telling yet. and i think this is what happened in this order, but i can't be positive. for some reason Dmoll decided that fitzgerald was not going into the ground or even spread over the garden, so he and sweeny got into our morgue and pulled old fitz out back to the shed and they burned him with the blowtorch. but, i think that Dmoll cut out his eyes first because that's what's peeping out of the box i made. so sweeny and Dmoll must of worked all night to burn him to a crisp and when they were done they must of put the bones into the coffin, but keeping the eyeballs so that he, Dmoll, could put them right on top of the ashes so that's what looking out when you're looking in. that must of been some funny picture of sweeny heaving and spitting tobacco and holding onto his hat trying to lean over far enough to grab old fitz by the feet and Dmoll whispering polite commands and sweeny swearing and crossing hisself and Dmoll trying to keep the wrappings on the body and parts from rolling out and catching on the thistles. and i swear to god i can just see them lifting now what must of been just parts onto the table and them just sliding around like cranberry jelly, cause i know how dr. andrews can slice and dice his way through an autopsy and katrin playing catcher with her basket. an i know Dmoll who must of just looked into the sky uttering some silent profanity and shaking his fist. an i wonder what the two of them must of been thinking to themselves while Dmoll took the torch to poor fitz, because it must of taken hours. what do you think about when you're cutting up a man and torching him...and they must of seen then and there what Dmoll was always talking about us not being us but being a zillion of us and we being made up of zillions of tiny animals all working together but all thinking differently and so Dmoll says when too many of those tiny creatures start to think differently and fighting amongst their selves, the main body gets sick and we end up here at the asylum. and that's why he says that a person is not a person. Dmoll can sometimes be a little crazy in the head. anyway, i have the box urn but i can't look into it and have it look back...
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| originally the asheville asylum series was to comprise 40 main paintings and one sculptural piece. together, they would portray living asheville residents from about 1975 to the present. those not sold would be cremated and urned--the ashes and urns would be offered for sale. however, as i began to add characters and tidbits of information that i have gleaned from correspondence, i have now decided to continue the asylum series for an additional 40 paintings. at present i do not know what shape this will take. so far 50 have been sold or destroyed. please consider concept, images and descriptions as copyrighted. please do not reproduce. i guarantee that items here are original and certify authenticity Dmoll415 |